A Quote by Chuck Close
What difference does it make whether you're looking at a photograph or looking at a still life in front of you? You still have to look.
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The model is just one element of the photograph. There's also the location, the light - all that junk. It helps if the girl is really good-looking, but a girl can be not super good-looking and it'd still be a really good photograph. I ask people to send some photos of where they live if that's where I'm shooting. I go for shabby places over too-nice places, because most of these girls are going to look better if they're not made to look rich.
I love having the photograph in my hand. I love looking at the photograph. I love looking at a box of photographs. I just love the still photograph.
I like creating these moments where there's this dichotomy between something that repels you but is still so attractive that you can't stop looking. You still want to acquire it; there's still that level of aspiration for the image of the figure or the person you're looking at. when you look at the work there's this, "Oh it's really beautifully rendered!" or, "I love those beautiful tones." There's some aspect that's really attractive but the image itself could be slightly distributing.
You'll always have people saying 'these guys look good' but there's a difference in what we're looking for. We want our fighters to look like fighters, sure, but the moves still have to look good.
I’m not comfortable in this stadium,” I explained, trying to look calm. “I know. And you hate Fang looking at those girls. But we’re still having fun, and Fang still loves you, and you’ll still save the world. Okay?
When someone is looking down, they're saying no. When they're looking up, they're looking to their brain for memory. When they look to the left, they're looking for a lie or something they memorized. When they look to the right, they're feeling sorry - they don't want to answer.
When I was a kid, I wasn't looking at the small-budget films myself. I was looking at 'James Bond' and all the major films, so I still have that energy. I still love those films.
Kyo Sohma: One of these days I'll make you say you're sorry Yuki Sohma: looking bored I'm sorry. Kyo Sohma: Dammit That's not what I meant Don't you have any shame Yuki Sohma: still looking annoyed Yes I'm ashamed to be seen with you shouting in public. Kyo Sohma: Oh that's it We're taking this outside Yuki Sohma: still looking annoyed We ARE outside you stupid cat.
We're looking to identify funds if we can. We're also looking at other resources to assist the government in making this a reality, ... At this point, we don't have a particular source of funding for that but we're still looking if we could help in finding another way to assist.
If you are ending up where you want to be, what difference does it make whether you went fast or slow? Or what difference does it make whether it was painful before it got really good? Isn't that the point of free will? You get to choose.
I always wanted to make an abstract photograph. I would photograph walls, sports interiors, marks on the walls people made. Even looking back it makes so much sense. It's like it was a fight against the photograph.
When the Berlin Wall fell and suddenly all those countries had burgeoning democracies, women were still being left out. The big turning point, about ten years ago, was moving from a notion of empowering women to actually looking at where you can make the most difference, and it's in a girl's life.
There is a child in every one of us who is still a trick-or-treater looking for a brightly-lit front porch.
When I talk to a man, I can always tell what he's thinking by where he is looking. If he is looking at my eyes, he is looking for intelligence. If he is looking at my mouth, he is looking for wisdom. But if he is looking anywhere else except my chest he's looking for another man.
I mean, but obviously, in people's eyes, it still - it can still link Islam to terrorism. I mean, why does it make a difference that they're white?
Wisdom comes with the ability to be still. Just look and just listen. No more is needed. Being still, looking, and listening activates the non-conceptual intelligence within you. Let stillness direct your words and actions.
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