A Quote by Chuck Close
I did some pastels and I did other pieces in which there was just basically one color per square, and then they would get bigger and I could get 2 or 3 colors into the square, and ultimately I just started making oil paintings.
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I just went to Times Square and the underground movies, sometimes three a day. I did get my education. But I really believed then, in 1966, they would not have allowed me to make any of the movies I made. Today, you could make a snuff movie at NYU and get an A.
Over the years I always did some water colors, and I did a series of pictures of drawings. I always did it during a period of time that was slow in the photo business, but in essence it was always frustrating because I'd get started, and then it would be time to get back to work and I wouldn't get anywhere with the painting.
In the beginning, me and my bandmates just did stuff on our own - we had smoke bombs, we'd dress as crazy and as weird as we possibly could, just to give ourselves a different ambience. But when we started making money, of course, the ideas started getting bigger. We were big fans of Broadway; we were like, "Man, when you go see a Broadway show, you just get pulled right out of reality; you're into their world for a two-hour period. It would be nice if we could do that onstage with a music concert".
My mantra is, 'Don't be afraid of color.' What did it do to you? Do a color testing in alternate kinds of light you desire in the room because the pigment will change. And I refuse to believe that pale pale or white colors in a small room will buy you more square footage. Go with color all the way.
Traditionally, digital projects, when you project them, they get really washed out. It's complicated stuff with gamma, but basically your blacks get very milky and the colors get very weak, and we made so many different versions of it to just pump more color into it, so it would look just as good in the theater as it does on your screen at home. And color was my constant whine. It needed to be very oversaturated.
Is there some situation where square wheels would be better than round wheels? Sure! A round wheel has a pressure point directly under the tire. A square wheel's corners are going to bite and propel you forward. The square wheel could be superior on snow or mud or sand.
Ultimately, some of these things I did not get paid for, they did not further my career, they were done just for fun.
I Use The Square To Begin My Solutions Because The Square Is A Non-choice, Really. In The Course Of Development, I Search For The Forces That Would Disprove The Square.
In the beginning, I would find a character I understood. That was my focus. Not now - but you basically get offered the exact same thing you just did. Which I find hilarious. I did 'The Vow,' and then I had every love story you can imagine thrown at me. And now I'm getting offers for comedies.
When I was 8, my dad asked me if I wanted to audition, just for fun. I did just a little short film, and I liked it. I just kept doing it, and then I started getting bigger auditions for bigger roles.
I started 'SNL,' and I became the one who did impressions. I did that, but then I wanted to get an original character on, and that took a long time to get one on that stuck. And then I got Vinny Vedecci on - 'Oh great' - and then it took a couple more seasons to get Greg the Alien on. You have to have some patience.
If you didn't like somebody, you just let 'em know it, and hopefully that would square 'em away. Not only would they critique me, get on my case, but basically it was that kind of relationship. It was always a learning, team-building relationship.
I'd make my whole collection with just one square of fabric. I wouldn't do anything else; everything had to be made from one square. This is just one example.
I always used to get goosebumps in Madison Square Garden, because as soon as I started making my entrance, people would be chanting my name. 'BRU-NO! BRU-NO!'
In New York, working at the foundry, I was making these little figures. I desperately would like to make big figures, but I just can't do it; my hands don't do it. We were talking about making bronze plinths, and then we made one, a square one. I wrote on it, then I put a little figure on top, and it just looked really good. It worked.
So often, we blame other people when, really, the problem is right down in here. I'm not happy. I don't know what's wrong. If I just had another job, I could be happy. If I just get married, I would be happy. Well if I just wasn't married, I would be happy. Well, if I just had some kids, I'll be happy. I'll be happy when these kids finally grow up and get out of here. If I had a bigger house, I would be happy. Well, I got a big house. Now if I just had a maid to clean, I'd be happy. Well, now if I just had a maid I could get along with better, I'd be happy.
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