A Quote by Chuck D

Someone like Jay-Z does have a timeless quality, but it's much different than ours. You can look back at something like "At the Hop" by Danny and the Juniors or the music that was on American Bandstand in the 1950s-'60s.
When I look back at something like 'E.T.,' not only does it hold up beautifully but it feels timeless.
I think it's true about people now being closer to their parents, since the '60s, really. The parents are no longer from a different planet, the 1950s ideas of American family. We could be friends with our parents. After the '60s, it wasn't like a person smoking pot was what the parents would be appalled at.
When you go back and really listen to the legendary rappers, this is timeless music. Guys like Biggie, guys like Pac, timeless music.
I'm a fanatic about Irish music. I love its moody, modal and timeless quality. I'm different from some other composers, because I don't look at this as just a job. I think of music as art.
I always say to people that I left hip-hop in '97, meaning that I departed from listening to predominately hip-hop and just started really getting into records from the late '60s, early '70s. And once I made that change, I realized how much great music was made back in the day, and it started to become apparent how much we've lost in music.
Spaceman 3 was one of my favorite bands growing up, and Jason Spaceman is someone I got along well with. I always felt his music was like narcotic gospel - there's something very moody and ethereal about it. Sun City Girls is the same, but different. To me, they're like the premier American avant music act. They're like the Marx brothers of music. I don't mean they're funny like that, but they turn everything on its head.
I love hip-hop. I'm big into Jay-Z, Kanye, Little Wayne. Those are everyone's favorites, I know. I just like the fact that when they get on track and talk about whatever they're talking about, they have supreme confidence. That's pretty much what you need to have on the field. I like the way they approach their music, they feel like no one can touch them.
I've got all of the old school vinyls from the '70s - even further back, like the jazz music in the '40s, '50s, '60s. Then I've got all the '80s stuff underground, hip-hop when hip-hop really first started. The '90s stuff. All of the good stuff, because I'm really into music, and it helps me create new songs now.
I want to write for people that are trying to do some kind of quality music. What I mean by quality music is not so much the trend, what is hot right now. I don't write trendy, I write what feels good and something that feels good will never get old. Timeless music is what I try to shoot for.
I guess the difference between the Korean hip-hop scene and the American hip-hop scene is that in the American hip-hop scene, you know, they have their Jay-Zs. They can become conglomerates through hip-hop. In Korea, it doesn't happen.
You look back at people like Elvis and The Beatles and still get their music because it's timeless. That's what I want.
To have Run-DMC acknowledge you, something like that, you're like, 'Oh, I'm that dude.' To have Jay-Z do a verse, you that dude. To have Jay-Z shout you out in an intro, you're that dude. Like, it doesn't get any greater than that. Nobody can take that from you.
A jay hasnt got any more principle than a Congressman. A jay will lie, a jay will steal, a jay will deceive, a jay will betray; and four times out of five, a jay will go back on his solemnest promise.
Music changes, life changes. It's like Jay Z said: 'If people like the old Jay, then go listen to the old Jay.' I always heard that, but never understood it.
I love... different kinds of music. I like classical music and pop music. I like alternative, and I like rap, hip-hop, and I kind of collected all these things that I love, and they infused my sensibilities, and I just wanted to sing because it felt like it needed to come out of me.
I think the model that I look at is someone like Jakob Dylan, whose dad is obviously every bit if not more famous than mine. He's a guy who sought to build a career on his own, doing something that's a little bit different than what his father does.
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