A Quote by Chuck D

There's nothing worse than a good video and good song, and you see a band and hate them because they can't perform. That's wack. — © Chuck D
There's nothing worse than a good video and good song, and you see a band and hate them because they can't perform. That's wack.
I hate a song that makes you think that you are not any good. I hate a song that makes you think that you are just born to lose. Bound to lose. No good to nobody. No good for nothing. Because you are too old or too young or too fat or too slim too ugly or too this or too that.
Every song that is a Hopsin song, I 100 percent made it. Nobody helped me. There was no producer to say, 'Hey, put the beat like this... ' It was all me. If the song was wack, then the song was wack. If it's dope, it is what it is.
if you hated white people, they would just hate you back, and nothing would change in the world; and if you didn't hate them after the way they treated you, you would end up hating yourself, and nothing would change that way, either. So it was no good to hate them, and it was no good not to hate them. So nothing changed.
As a songwriter, you try your best to write a good song, and you like nothing better than hearing a good song. It's easy to admire a great song, and you want to share out of enthusiasm.
I didn't have song rights for the first video because I didn't know that it was going to do what it did. So for the second video, I decided better safe than sorry. It is a really gray area as to whether or not you even need song rights to make a video like that.
There was nothing worse you could be than a tweener. There was nothing worse you could be, and there were so many good guys that were so good that were tweeners, and they couldn't make it... And when you got that label, it was going to stick. It's like getting branded.
There is nothing worse than having an enemy who is a total loser. It's incredibly frustrating when seeking revenge against one, because you come to the realization that there is really nothing you can do to make the person's life worse than it already is. They have nothing to take; there is no way to screw them over if you have been their victim. It's maddening.
I never produce a song, whether writing it or making a beat, and give it a wack visual or wack performance. I'm like a trifecta.
If you do not see any good in these persons, then say nothing, but if you do see some, speak about it to honor God in them because all good proceeds from Him.
With every record, with each band, I just try to make a song good. I'm not so much focusing on my technique. There are a million better drummers than me. I try to adapt to the songwriter; I try to adapt to the situation and retain my sort of melodic power. My goal is for the band to be good.
When I'm picking songs for an album I always want a song that I can relate to and that I have experienced. There's nothing worse than watching an artist try and sell a song that isn't believable coming from them.
After the training session, video analysis. You can see the good and the bad, show players how to improve. Not because I want to find blame. Sometimes 20 or 30 minutes of video is more important than three training sessions.
All I can tell you is, all of the good product you got from E-40 with all the good product you got from Too $hort - it's almost impossible for us to make a terrible album together. We're both opinionated, so I damn sure am not co-signing a song that I think is wack.
Good songs are what a good band is all about. When you have a good song that stands up to the test of the time, that is the most important thing.
I tape over most of them with Corrie or Neighbours. Most of them are crap. They can f***ing make anyone look good. I signed Marco Boogers off a video. He was a good player but a nutter. They didn't show that on the video.
It's hard enough to make a good song and a good recording of that song. But to try to tailor it to some outside force is just like - It's never been a factor in what I've done or what the band's done.
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