A Quote by Chuck Daly

Though I'd have to say it was generally the guys in Detroit, as a group, that won the two Championships. They were terrific and I always look back very fondly. — © Chuck Daly
Though I'd have to say it was generally the guys in Detroit, as a group, that won the two Championships. They were terrific and I always look back very fondly.
It's just good that Detroit is coming back. I'm so happy it's coming back because it needs to come back. When I do my trips around the world, and I can be anywhere, but I always see somebody from Detroit or Chicago. Those guys are world travelers.
In 1977, I had Paul Rivera hotrod six Fender Deluxes for me. At that time, a lot of studio guys in L.A. were using those - not so much live guys but studio guys. They had terrific tone and great technique, and I was like, 'Well, I like having terrific tone even though I don't have any technique.'
It's always true, and in all the arts. When one guy's terrific, there will be a lot of other terrific guys around. And this last decade, the '90s, has been a period of very low talent.
You look back at the '95 season, and a lot of those guys were getting mega minutes. Michael Jordan was out playing baseball. We were still winning, won 55 games I think, so those guys were all very content and happy with the way that things were going that year.
The group of guys I came up with in the 1990s were very innovative. I remember some of the older guys were complaining about how the music had changed, and they were being left behind. I didn't want to be one of those guys who sat around and complained because they weren't growing and evolving.
I stand by the Lost finale. It's the story that we wanted to tell, and we told it. No excuses. No apologies. I look back on it as fondly as I look back on the process of writing the whole show. And while I'll always care what you think, I can't be a slave to it anymore. Here's why: I did it for me. I liked it. I was good at it. And I was really … I was alive.
My eight years in Detroit, obviously, were my most successful years managing. I think that Pittsburgh and Detroit are probably very, very similar. We kinda rekindled the fire of baseball in Pittsburgh. We did the exact same thing in Detroit.
Someday you will look back on all the awful stuff that's happening to you, and fondly smile. Doesn't say much about the future, does it?
The problem with Deep South to me is that there was a group that were tight with the boss, and they would always go out and drink and have barbeques. Then, when WWE would say, 'Who should we look at?' Bill Demott would say, 'Oh, look at this guy and this guy.' Of course those were his buddies.
The feel of a good row stays with you hours afterward. Your muscles glow, your mind wanders from the papers on you desk and goes back, again and again, to that terrific power piece at the end of the workout when it felt as if you and the boat were flying, as if you legs were two cannons and your arms were two oars and the great lateral muscles of your back were pterodactyl wings and the brim of your baseball cap was a harpoon.
It's a terrific... you can't put it down. So I phoned him back and I said I'd love to do it. I went over to Paris for a meeting, and we just talked very generally about the approach.
Well, I was into music since I was a kid, ya know, back in Detroit. I say Detroit, but it was really a little suburb outside the city called Romeo.
Awards are not something that I measure my work by. I've been so fortunate and I've gotten to do such terrific things that it seems petty to look back and say, 'Oh, I should have gotten that prize.' I've been so blessed, it's hard to look back and think anything but that, so I have no disappointments.
It's funny: when you make a film, you always look back, and there are always crucial decisions that get made. You look back, and at the time they don't seem like it, but you look back, and you see they were absolutely fundamental.
I look so fondly back on that time in my life when you first got an agent and you were in your mid-twenties and the world was your oyster.
When you look at men's fashion magazines, you see a lot of well-groomed guys in suits, but very rarely do you see a lot of guys in drop-crotch and hoods with high-tops. It's coming, though, because guys in suits and short hair are beginning to look like they're from another time.
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