A Quote by Chuck Israels

Music needs the juxtaposition of opposites to achieve its drama, so harshness and dissonance are simply part of the material a musician can use to create a musical work. All one thing is a bore - all dissonance, or all fatuous consonance. George Winston and Guns and Roses are two sides of the same worthless coin in my esthetic world.
Consonance, says the dictionary, is the combination of several tones into a harmonic unit. Dissonance results from the deranging of this harmony by the addition of tones foreign to it. One must admit that all this is not clear. Ever since it appeared in our vocabulary, the word 'dissonance' has carried with it a certain odor of sinfulness. Let us light our lantern: in textbook language, dissonance is an element of transition, a complex or interval of tones that is not complete in itself and that must be resolved to the ear's satisfaction into a perfect consonance.
Music in movies is all about dissonance and consonance, tension and release.
Of course I have used dissonance in my time, but there has been too much dissonance. Bach used dissonance as good salt for his music. Others applied pepper, seasoned the dishes more and more highly, till all healthy appetites were sick and until the music was nothing but pepper.
In life's work, bliss and sacrifice are two sides of the same coin, complementary opposites.
There is no one part of the brain which recognizes or responds emotionally to music. Instead, there are many different parts responding to different aspects of music: to pitch, to frequency, to timbre, to tonal intervals, to consonance, to dissonance, to rhythm, to melodic contour, to harmony.
When dissonance is present, in addition to trying to reduce it, the person will actively avoid situations and information which would likely increase the dissonance.
Music and improving the world are two sides of the same coin.
I came up with a 'forecasting cell,' which is basically a mixed intention cell or chord that is a complete hybrid of a consonance and a dissonance, and what that does when you are improvising is lead you to where you are supposed to go.
Madness and greatness are two sides of the same coin. Every time a new Targaryen is born, the gods toss the coin in the air and the world holds its breath to see how it will land.
If a person plays dissonance long enough, it will sound like consonance. It's a language that was alien and then it's less and less alien as it continues to live.
I would like to have people hear dissonance, but I don't want it to be so off-putting that they never get there to begin with. That's actually how I hear it; that's what's pleasant to me. I don't like dense, chaotic dissonance. My brain gets lost. I need something to hang onto.
Punishments and rewards are two sides of the same coin and that coin doesn't buy you much.
I played to 20,000 people every day because people were walking on 5th Ave going to and from their jobs, and my sounds were bathing them in all kinds of dissonance, consonance, resonance, and things like that.
Music would lose its charm were not dissonance interspersed at frequent intervals. The closer a composer can come to discord without actually entering it in the score, the more pleasing will be his composition when given life through musical instruments.
Comedy and drama are different sides of the same coin. And the thing about comedy and drama is about likability. It's about character first. It's about story. And for me, it's about empathy, and I think the realer someone is, the further you can go either way with them.
We are seeing the birth of a new perspective of the world, where ecology and economics are two sides of the same coin.
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