A Quote by Chuck Klosterman

Let's face it: Sadness and evil are always more believable than happiness and love. When a movie reviewer calls a film "realistic," everyone knows what that means--it means the movie has an unhappy ending.
When one has once accepted and absorbed Evil, it no longer demands the unfitness of the means. The ulterior motives with which youabsorb and assimilate Evil are not your own but those of Evil.... Evil is whatever distracts. Evil knows of the Good, but Good does not know of Evil. Knowledge of oneself is something only Evil has. One means that Evil has is the dialogue.... One cannot pay Evil in installments--and one always keeps on trying to.
I'm definitely a big believer in the notion that a heightened style can get you closer to an authentic human experience than so-called realism on film. There are films I love that have kind of a muted or realistic style, but for me on any given day I have more moments during the course of a day that feel like a Fellini movie than I do a Cassavettes movie.
To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.
To have a film where there's an evil figure and a good person fights against the evil figure and everything becomes a happy ending, that's one way to make a film. But then that means you have to draw, as an animator, the evil figure. And it's not very pleasant to draw evil figures.
That movie 'Hellraiser 2' - to me, that was the most evilest display of evil I've ever seen. I watched that movie ten times because I couldn't believe that each character became more evil than the other.
Night Watch itself is a very Russian movie. Its impossible to imagine this kind of movie somewhere else: a movie with a depressing ending, a lot of inexplicable storylines, strange characters. Its a Russian reflection of American film culture.
I never take credit for my movie's success. I am the face of the movie, but there are numerous unsung heroes behind the scene. From the director, cameraman and editor to the light boy, everyone knows how difficult it is to satisfy the audience.
In editing, you really face what the movie is. When you shoot it, you have this illusion that you're making the masterpieces that you're inspired by. But when you finally edit the movie, the movie is just a movie, so there is always a hint of disappointment, particularly when you see your first cut.
I love going to movie theaters, even in the era of movies on-demand and Netflix. When you are in a movie theater, no one can reach you by phone or other means.
I want to be the best actor that I can be; I want to be working in this business absolutely, and if that means being a movie star, then OK, that's fine. But to me, movie star, celebrity, all that stuff means something very different than being an actor.
He who attempts to make others believe in means which he himself despises is a puffer; he who makes use of more means than he knows to be necessary is a quack; and he who ascribes to those means a greater efficacy than his own experience warrants is an impostor.
Marketing does have a lot to do with the success of a film. But even more so, and especially since home video, I've learned that a movie has a life of its own. A movie goes out there, and it exists, and it continues. I'm always fascinated by what movie people bring up when they approach me.
The person who goes to the Troma movie knows that he or she may love the Troma movie or, he or she may hate the Troma movie; but the movie goer knows that he or she will never forget the Troma movie.
Everybody can take a good picture. Everybody is interesting. Everyone has an interesting face. Some people are more difficult or more nervous or more tired. When you do a movie, you have action, you're talking, you're moving. You don't see the camera. Taking a picture with a photographer, you don't talk, it's more difficult than in a movie for your body to relax, to be yourself.
In English, my name means hope. In Spanish, it means too many letters. It means sadness. It means waiting. It is like the number nine, a muddy color.
Some movie I was in, I forget which one, some awful little movie, a reviewer said, What is Jessica Walter doing in this movie? And I said, Hello? Trying to make a living?
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