A Quote by Chuck Klosterman

In Fargo, they say, well, that's a job. How well do you get paid? For example, for this book I was written about in Entertainment Weekly, and it was kind of cool because my mom asked me if Entertainment Weekly was a magazine or a newspaper.
My prerogative right now is to just chill and let all the other overexposed blondes on the cover of Us Weekly (magazine) be your entertainment.
In my work at 'Entertainment Weekly,' I had written reviews and news stories about YA books and film franchises and was always moved by how smart and voracious and loyal the readers were. Everything we did got lots of attention and reaction.
I had people in 'Entertainment Weekly' talking about how they wanted to throttle me because they thought I was too disgustingly cute, as if that were my fault, you know, as if that was my fault, not the fault of directors and producers and such.
It is entertainment; we mustn't forget that. Dance is entertainment. You can have the best technicians in the world, but they'll be boring to watch. It has to be about entertainment as well, but it's quality, grace.
I worked at 'Mademoiselle,' and then it shut, and I worked at 'GQ' for three years, during which I was freelancing. I wrote for 'Vibe.' I did music reviews. I wrote for 'Time Out.' I was desperate to get into 'Entertainment Weekly' or 'New York Magazine.' Like, desperate.
On a scale of the United States, the Hollywood influence on what comes out, that's not the majority views of across the country. What we read in Us Weekly or People magazine, or Entertainment Tonight, it's not what the majority of the country is thinking.
Entertainment Weekly said that Parks and Rec is the smartest comedy on tv. Call me when it's the funniest.
I was very nervous about doing the Entertainment Weekly cover, because I thought, "Okay, this is the first taste, this is the first visual moment." By then I obviously knew a lot of the more iconic moments in his comic history, but still it's me. It's not a drawing, it's not an artist; it's me and I'm kinda frightened, but it seemed to go down.
I had been laid off from 'Entertainment Weekly 'right before I started writing 'Gone Girl.'
I'm happy to have interns at The Weekly Standard and happy to have readers of The Weekly Standard, but if you all tell me that you were busy reading Plato and [Lev] Tolstoy and playing violin in the orchestra, I'd say that was great. I wouldn't tell you to take time out from that to get involved in political journalism.
I wanted to work in Hollywood. I was captivated by it. I read 'Premiere Magazine' and 'Movieline Magazine' and 'Us' before it was a weekly magazine.
The one thing I get asked about weekly when people see me who have never met me before is about the damn brawl and I'm tired of talking about it.
One cool thing is because Mom and Dad aren't into the Hollywood scene, they don't read 'US Weekly' or anything like that. They give me space. They don't care. They just want all of their children to be doing something that they love to do and be able to pay their insurance.
I would make a comic for Rolling Stone every two weeks, because they're biweekly. And then I would make weekly comics for my weekly papers. It was on two parallel tracks. And then they all got collected in a book.
Look at me as an example. I don't have the best education or the best looks. Where I'm from in Nigeria is not entertainment driven, it's the northern part of Nigeria and over there they hardly pay attention to entertainment. I came out of that place to attain this level of success. I always say if I can get here with all of these imperfections then no one has the excuse to fail in life.
The basic thing is, people want to get paid, so they'll say the things that get them paid, in entertainment or politics.
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