A Quote by Chuck Klosterman
Book writing is a little different because, in my case, my editor is a year younger than me and basically has the same sensibility as me.
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A specific editor in a specific place likes the book, and you're in. A different editor on a different day goes, 'Oh, this isn't for me', or doesn't even look at it, and that's it.
About a year after (my stories began being published), magazine editor George Scithers, suggested to me that since I was so new at being published, I must be very close to what I had to learn to move from fooling around with writing to actually producing professional stories. There are a lot of aspiring writers out there who would like to know just that. Write that book.SFWW-I is that book. It's the book I was looking for when I first started writing fiction.
The character - character - of Mallory on 'Family Ties' was a year younger than me. A fictitious year younger than me. So, I am not 21. I am not getting into the club. Boom.
Writing doesn't come real easy to me. I couldn't write a novel in a year. It wouldn't be readable. I don't let an editor even look at it until the second year, because it would just scare them. I just have to trust that all these scraps and dead-ends will find a way.
There really is no difference in the actual writing or plotting. I choose to tell different stories for the younger reader and, of course, I would never put sex and extreme violence in a YA book. But writing for adults and children requires the same care and attention.
I am a very emotional person. I basically think and feel in emotion, so writing is much easier for me than communicating by voice or by talking to somebody just because I can really get into the emotion more succinctly with writing. So I guess that's what makes me a better writer than speaker.
When I started doing improvise music in Europe, in the beginning I thought the way that Europeans were interpreting the reconstruction of deconstruction of this thing that we call jazz - of course it's different than what Americans do, because Europeans have a different history, a different sensibility and so forth - the nature of the creative process itself it's the same; but what comes from that creative process is different, because you have a different history, you have a different society, different language.
I do find it easy to write songs about heartbreak; it comes really naturally to me. It was a little bit more difficult for me to break my mould and tackle different subjects. You know what it's like because you're a writer. You don't want to tread on the same territory. Writing about the personal stuff was a little difficult because I'd worry about who would read it and who would be offended by it.
It's a completely different situation right now because last year it was the time that nobody expected anything from me anything -- I had nothing to lose, basically I was starting from zero. And now I'm back in Top 5. And for me it's a different stage.
In my twenties, it was so important for me to show people I had all these other books and these other sorts of writing in me, .. A lot of authors, if their first book is a success, they're terrified to write a second one. But in my case, since the first book wasn't considered a literary book, I was really determined to show people I could do other types of writing.
Get Up is basically the book I wanted to have my first year of sobriety. I wish someone had given me this book a year before I even went to a meeting because I was already miserable. I didn't enjoy drinking anymore, I just couldn't stand the idea of not doing it. I was afraid if I got sober I wouldn't be able to write anymore. That was a really big fear of mine, which turned out not to be true.
I come out of journalism, and then book writing. There, it's just you and your editor and maybe a copy desk, looking over your editor's shoulder, and that's the story. It's right there. I can show it to you because it's on paper.
I've never gone out with a guy who is older than me by more than a couple years. Usually it's my age, a little bit older, or even a little bit younger. But not a 15- or 20-year difference.
I'm just having fun making jokes and writing books. But you see me once a year, I come on when I have a new book out, but basically, I've got my nose to the grindstone and I'm doing what I'm supposed to do in life, which is make stories.
I have a younger brother, who's a year younger than me and we are thick as thieves.
I feel sorry for people who have to edit me. Which is why book writing is by far the most enjoyable. Really the only thing it's based on is whether it's good or not. No book editor, in my experience, is getting a manuscript and trying to rewrite it.
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