A Quote by Chuck Mangione
I was blessed to work with The Jazz Messengers when the two piano players were Keith Jarrett and Chick Corea.
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Most pianists listen to about four or five different piano players before they call it quits and say, 'Okay, I've got my thing together.' Herbie Hancock, McCoy Tyner, Bill Evans, Keith Jarrett and maybe Chick Corea. Or maybe before that, Oscar Peterson.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
I want an audience that we might call a pop audience. Cross over to pop. Cross over to R&B. And bring those people to Brubeck and Chick Corea, you dig? A lot of people found Dave Brubeck and Chick Corea because they came to hear 'We're in This Love Together' and 'After All.'
I also became inspired by impressionist painters such as Renoir, and wanted to do the same sort of thing with music-portray whatever mood strikes me the way Keith Jarrett does on piano.
Beginning in the sixties, but getting strong during the seventies and eighties, everybody was sort of Miles Davis and Chick Corea and the jazz guys on the west coast and east coast in America, and then in Switzerland and lots of groups in England and elsewhere, like here in Brazil. We were all under a heavy influence of technological gadgets and changes that we used as elements to produce and create music.
I haven't done anything with Chick Corea. He had a group called Return to Forever, and everyone in the group became a superstar. I would really like to work with him.
Chick Corea was a great influence on me, musically, as I was growing up.
I had an affinity for music and could play anything I heard on the piano, but I wasn't scholastically advanced in any way. It was more of a habitual tendency. I would work on weekends at piano bars playing jazz when I was an art student, but the music wasn't mine - it was covers: everything from Radiohead to really old jazz. But other than that, the only training I had was piano lessons from when I was nine until I was eleven.
I'm not Bill Evans. I'm not Keith Jarrett. I'm basically a singer who plays along with his voice.
'Mortal Kombat,' the first arcade one, that soundtrack sounds like a Chick Corea album.
I actually met Chick Corea in New York, where I was staying with a bass player friend.
That.s what Jazz music is all about.We started the Messengers because somebody had to mind the store for jazz.No America--no Jazz. It is the only culture that America has brought forth.
Dominicus Corea had a posthumous son, Lewis Corea who became the Dissawe of Uva. Sir Paul Peiris wrote that `With the disappearance of Dominicus Corea, came a short lull in military operations of which the Portuguese officials availed themselves to give free rein to that rapacity which so frequently disgraced their careers in the East'. Dominicus Corea was succeeded by his brother Simon, as Dissawe of the Sat Korale, Kotte and Sitawaka.
I love so many different types of music - hard rock, bebop, jazz fusion, R&B. And I've loved meeting and painting so many amazing artists like Lionel Richie, Ronnie Wood, Sia, Steven Tyler, Swizz Beatz, Taylor Swift, James Moody, The Fifth Dimension, Chick Corea, Herbie Hancock and Michael Jackson. It makes me smile thinking about each one of them.
A lot of opinions just really don't get to me. If anything, some of them were humorous and my favorite, you know - I'm Keith 'One Time' Thurman. I'm Keith 'Run Time' Thurman, Keith 'Sometime' Thurman, Keith 'Once Upon a Time' Thurman. That was pretty amusing.
As far as piano players are concerned, Oscar Peterson is my very favorite. I also like McCoy Tyner. I think that the big jazz stars, both now and in the past...how shall I say it? These guys are as great as Bach, Beethoven; all of them. People don't know it yet. If jazz survives and is put on a pedestal as an art form, the same as classical music has been through the years, a hundred years from now the kids will know who they were, with that kind of respect.
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