A Quote by Chuck Mangione

My music has always been strong in melodic content. — © Chuck Mangione
My music has always been strong in melodic content.
Women in music have always been associated with pop - with prettiness, theatricality, melodic hooks and dance beats.
Chance the Rapper: if you listen to his narrative and the subject matter he covers in his music, you can see that he's strong, courageous and shows vulnerability. He asks some very poignant questions in his music and is still very melodic. The harmony and the melody of the music allows you to also come in closer.
I grew up in Southern California and always loved melodic pop music.
I have so much music that I do. Just like how a visual artist is always sketching something but they might not share it, I'm always writing songs or coming up with melodic lines on piano or guitar. It's therapy. It's always happening.
I always liked music that was melodic, but that had something a bit more wonky and odd going on too.
Music has always been and will always be a strong gateway to connect with consumers in an emotional hot state.
Melodic songs that people can relate to has always been our thing.
What So Not used to be a lot more dance-y, and now it's becoming a lot more melodic. Flume has always had that melodic thing, but it's starting to become a bit heavier, so it's just difficult to navigate between the two.
What a way to learn great theology! That's what comes to mind whenever I sing one of those old hymns. "And Can It Be" is like putting the doctrine of salvation to music. "Come Thou Fount of Every Blessing" is a melodic lesson in grace. No wonder good hymns make for strong faith!
Banjos are used in Celtic, English folk music and obviously American music. But not that much in pop music. But it's more versatile than people realise it to be. It's a beautiful instrument, very rhythmic and melodic. You can do anything with it.
I had been to São Paulo the year before and became pretty well acquainted with the music of composer Antonio Carlos Jobim, I had already started playing that music, and the audience response had been pretty good because those songs are so melodic. I knew it would be something that would be appealing; I wasn't thinking that it would make the top of the pop charts or anything like that.
Yeah, on the records, the guitars are made melodic, and I try to make it memorable. There's not much just wanking, to be honest - it's mostly melodic parts. I try not to play too many notes. It's just more instrumental music. It's a totally valid criticism if you don't like that kind of thing. It also is maybe a little anachronistic or unnecessary in a certain way.
The thing that I've always been slightly frustrated with, was that the idea of a CD is kind of confined to a material possession that you can put on a shelf. And the idea of music, for me, is always about both the communication and the sharing of content. And so the interactive part is missing.
As far as I'm concerned, the essentials of jazz are: melodic improvisation, melodic invention, swing, and instrumental personality.
That's really always been the music that I've been in love with, always the music that I've written growing up. Even through Pentatonix, folk music has been really my heart and soul.
If you listen to soul music, or R&B music, or Blues music, a lot of that came from church music and spiritual music, and music has always been a really really powerful tool that people have used to get them closer to God - whatever they define God as. And for me that's always been part of what drew me to it and keeps me coming back for more.
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