A Quote by Chuck Noll
I tried to look around to see what I wanted to do. Football was something I knew the most about.
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When I was 10, I knew there was something different about me. Everyone was football-mad, but I just wanted to watch musicals and see art.
I really didn't know what I wanted to do. I went to art school and tried a bunch of different things, but I knew I wanted to do something in the visual arts. And I'd always been around my dad's film sets, so the interest was there. But I didn't have the guts to say, "I want to be a director," especially coming from that family.
Look, you see those groups talkin' about negativity and anger, and they'd do that for two albums, and then you'd see them change up. I knew they couldn't do a Kurt Cobain on their whole career. You can't stay like that all the time. It's like when Hammer tried to go gangster. You can't be something that you're not.
I knew I loved football before I even played it. Uh, but the first time I stepped out on the field playing for the Lakeshore Redskins, I knew that I loved this game. I knew that this was something I wanted to do. And I was only 6 years old, but I loved it.
If a guy hits .300 every year, what does he have to look forward to? I always tried to stay around .190, with three or four RBI. And I tried to get them all in September. That way I always had something to talk about during the winter.
I got into the weights because I didn't want anybody messing with me. I wanted people to say, 'Oh, he's so big, I don't want to mess with him.' And second of all, I wanted to be great at football. I wanted to be the baddest dude around because I knew what it was like to not be.
I've always been quite careful about what I wanted to do. I've just never wanted to revisit old ground or do something that's easy. I want to do something that I would look at and go, "I don't know what to do!" The most exciting thing is when you're a bit scared, so I'm looking to find something that's really terrifying.
I knew I didn't want to be stuck in Stoke Newington for the rest of my life, hanging about with idiots. That wasn't for me. I wanted to go out and have a look around.
When I look in the mirror I see the woman I knew I wanted to be as a child. When I was a young girl, I had a vision of the woman I wanted to be. And I often reached out to women of color in America for inspiration. My mother would regularly buy Essence and Ebony. I would look at those magazines filled with images of professional, intelligent women of color who knew who they were, who enjoyed who they were, and who were surrounded by other people who enjoyed who they were. When I look in the mirror, I'm really glad that that's what I see today, but it took awhile to get here.
We knew that, in doing something that's based around the world of the movie and how popular that is, we really wanted to do the biggest show that we've ever done, in terms of the look of the show.
I knew that I wanted to write about a very young woman because I wanted to see the eyes of the art world in a fresh or even slightly naive way. Because there's something very honest about entering a room and not having a read on everyone there.
Look at The Iliad, there's all this stuff about men loving children. The King of Sparta was the most brutal warrior of ancient Greece, and the only thing he liked to do was horse around with kids when he was back from slaughtering. One thing that feminism revealed is that being a distant patriarchal figure was not something men wanted to be. They want to be more involved in the lives of their children, and you can see that once they're allowed to have that connection, they crave it.
He has nothing to do with me and football really. I don't see any need for us to start talking about football. Some players have relationships with their fathers where they talk football and get into arguments about it. It is something we have never done. It is just a natural thing, he is my dad and not my coach.
I really wanted to do a comedy. I've done a lot of drama, and comedy was the one genre I was not being offered. So I became obsessive about getting one. I tried with two little parts in comedies that were more mainstream, I was kind of fumbling around, and then I read The Brothers Bloom and knew it was the one I wanted to jump into. Did it take adjusting? Actually, it's not really any different from doing drama.
I think from the very beginning with 'We Are Young,' there was never any question about where we wanted the song to go and what we wanted it to sound like. And we knew that we wanted it to be big, we wanted it to be booming over the speakers at an arena or something.
Being in the beauty industry has taught me that most of us are never satisfied with how we look. We all wish we had better hair, could lose that last 10 pounds, or look like someone else. I always see the beauty in the clients that have sat in my chair, and I've tried to help them see it, too, and feel good about themselves.
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