A Quote by Chuck Norris
I was just a start-and-stop guy. I could never really follow through on anything that I started.
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When I started out in wrestling, you have to start somewhere and you either start being the good guy or the bad guy. There is several cliches that follow that.
I think if you asked people "what's the biggest problem in your life?" They'd say, "I just don't have time for anything!" And at our fingertips, if it isn't e-mail, it's our Blackberry, and it's our iPods and telephones - we never stop. We never take those moments to stop the stimulus to find out "what's going on in there? What's really happening?" And then things start to build up. And then we are almost afraid to slow down.
you have to realize that you don't have someone else's life and your never going to. You better start loving the one you got. Embrass the life you have and stop wishing that you could be someone else. Just stop all that and start saying "God here I am. Do what you want to do with me".
I'm weird. I'm not too focused on the physicality of a man. They just have to become my best friend, and then I start to get attracted to them. I've never been in a bar and just hit on a guy and started kissing him; I've never done that in my life.
I could not stop talking because now I had started my story, it wanted to be finished. We cannot choose where to start and stop. Our stories are the tellers of us.
I never do things fearing I could do right or wrong. I just do it because I just follow my guts. This is really how I did it for 'Elektra' because I was just amazed by all the comics. I was good for me to get inspired by them, and I just follow my guts for the rest.
We are a feelingless people. If we could really feel, the pain would be so great that we would stop all the suffering. If we could feel that one person every six seconds dies of starvation ... we would stop it. ... If we could really feel it in the bowels, the groin, in the throat, in the breast, we would go into the streets and stop the war, stop slavery, stop the prisons, stop the killing, stop destruction.
I don't really have a blueprint to follow besides watching interviews. Well, I guess the blueprint I do follow is Def Jam, in a way, just because it started in a small space, which is so similar to how we started.
Our job is to get out of the way of ourselves and let the art flow through us. We need to stop trying, stop doing, start allowing. We have no clue what we can be when you stop forcing and start being.
At school I was lazy. But I started working when I was 15, washing dishes at a local truck stop restaurant. I was really, really bored with school, and I wanted to get a job as fast as I could. School was just so easy. There was just no challenge to it.
To stop smoking was actually really easy because I had already started to cut down. My husband is asthmatic, and he just can't for the life of him imagine why anybody would put smoke in their mouth, so he really helped me to start cutting down.
It was right after 9/11 and I decided to walk around the grounds of the Pentagon, because I had never been there. Out of nowhere comes this speeding camouflaged golf cart and this guy starts yelling at me, 'What do you think you're doing!' The guy wrote my name down and began to follow me before I got really scared and took off as fast as I could.
I don't follow anything that's said about him much, but the Uwe Boll that I know is just a really cool guy. He's just a really quiet, kind and passionate filmmaker who really believes in what he's doing. Like any director that an actor wants to work with, you want a director who's passionate and believes in the work that he's doing.
When I get started each day, I read through and correct the previous day's 2,000 words, then start on the next. As I reach that figure, I try to simply stop and not go on until reaching a natural break. If you just stop while you know what you're going to write next, it's easier to get going again the next day.
It's interesting because the way J.J. cuts - we're very close with our editors as well, so it's kind of the first cut and then he went back and started tightening things up, etc, then loosing things when it was too tight. Then you start watching it and you start figuring out performance - not performance, character-wise I should say, who you're really able to follow, whose journey is harder to follow, and you make all that work.
From the time I started playing, I've always been the high-energy, never-stop-moving guy.
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