A Quote by Chuck Palahniuk
I take pens and I write on the inside of my arm. When I'm with people and somebody says a really fascinating anecdote, or fact, or phrase, I'll write it on the inside of my arm. At the end of the day, I'll take the very best things that are on my arm and I'll copy them into a notebook that I always carry and only when the weather is absolutely terrible will I really key the very best of that notebook into the computer. At that point, it's all sort of censored twice - only the best things go from the arm to the book and only the best things go from the book to the computer.
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Yes, I see the Mobile Base System really is the shoulder of the arm. The arm is right there, like a human arm. It's really funny to look at the similarities between a human arm and the Canadian robotics arm.
At that point, there will be the handover between the shuttle arm and the station arm so that the shuttle arm will take the cradle and put it into the cargo bay.
I use a computer, but before I begin each new book I keep a notebook. I write down everything that comes to mind during that period before I actually begin. It might take months or weeks. That notebook is my security blanket so that I never have to face a blank screen (or blank page). But I print out often and my best ideas usually come with a pencil in my hand.
In particular, this arm has 7 degrees-of-freedom that makes the overall motion of the arm very complex so that, before you start driving the arm, you should be very familiar with all the position it can get.
I type everything on my computer. I carry a writer's notebook everywhere, in case I am struck by an idea. I forget things unless I write them down. I'm planning to learn how to dictate into my cellphone; I think that will be very helpful, too.
On your best day, you're only as good as I am on my worst with one arm tied behind my back.
I only can write a book every two years, you know. And I write very fast, but I'm not always writing every day. I needed a contact with different things, like nature, for example. I cannot be in front of a computer trying to tell a story.
If you want to help arm the schools, arm them with school supplies, books, therapists - things they actually need and can make use of.
I only thought I'd get one arm done at first. One arm turned into the other arm. Then I started tattooing my lower arms. I remember saying, 'Mom, don't worry, I'm never going to do anything on my neck.' Then I went to my neck and my chest and my legs, and I kept on progressing from there.
Best of children, sisters arm-in-arm, we must bear what the gods give us to bear-- don't fire up your hearts with so much grief. No reason to blame the pass you've come to now.
This is how it works You're young until you're not You love until you don't You try until you can't You laugh until you cry You cry until you laugh And everyone must breathe Until their dying breath No, this is how it works You peer inside yourself You take the things you like And try to love the things you took And then you take that love you made And stick it into some Someone else's heart Pumping someone else's blood And walking arm in arm You hope it don't get harmed But even if it does You'll just do it all again
I woke up one morning, and I couldn't move my arm. It was the oddest thing, the paralysis. I called up a friend and said, "I think I've had a stroke," and, in fact, that's what my doctor told me. It wasn't terrible, but it was enough to scare me. Now I think about death all the time. I have my death arm, my right arm.
Sometimes, when I break my hands, I kind of go too far behind my body, and what that will do, wherever my right arm's going to go, my left arm's going to go.
Until I reached my late teens, there was not enough money for luxuries - a holiday, a car, or a computer. I learned how to program a computer, in fact, by reading a book. I used to write down programs in a notebook and a few years later when we were able to buy a computer, I typed in my programs to see if they worked. They did. I was lucky.
Villains are always the best roles, but that meant that for months afterwards, all I got offered were absolute cads and bounders and really nasty pieces of work, as well as a lot of people who only had one arm. Such is the limited imaginative power, you see, of a great many casting directors.
I can understand how people who don't really follow baseball can look at 'dead arm' and think the absolute worst. Basically, a dead arm is when your arm kind of feels a little heavy, kind of feels weak, and basically, it's just muscular fatigue.
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