A Quote by Chuck Palahniuk
This is the worst problem with living history museums. They always leave the best parts out. Like typhus. And opium. And scarlet letters. Shunning. Witch-burning.
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If I go into a season and I say, 'For f***'s sake, if we don't win anything, they will all leave,' I have already lost. The problem of the media is always to imagine the worst. The problem of the manager is always to imagine the best.
It's much harder to say "I'm going to kill three of the biggest characters in your universe in a gruesome bloodbath." There can be a lot of differing opinions in a mainstream comic book, you know? "Rogue would never do this!" But I can say, "No, Rogue suffered the death of Charles Xavier and it broke her down and she stumbled into a dark place and she started fixating on the Scarlet Witch as the cause of it all" ? which, there is a logical chain of events that lead to the Scarlet Witch. And in the confusion, she thought Wanda was up to doing it again and she did what she thought was best.
Here's your first problem," he said, pointing at a sentence. "'Religion is the opium of the people.' Well, I don't know about people, but I think you'll find that the opium of pirates is actual opium.
Truly, Autumn is my season,” the scarlet beast chorted. “Spring and Summer and Winter all begin with such late letters! But Autumn and Fall, I have loved best, because they are best to love.
It is important never to forget our history, but parts of our history are more appropriately displayed in museums, not on government property.
Here in the U.S. we do have a problem with a president Donald Trump who uses language in two distinctly destructive ways. One is to lie, and to use words to mean their opposite. Like, when he calls the Russian investigation a "witch hunt." He can't call it a "witch hunt" because a witch hunt is something that a powerful person does against a powerless person. The most powerful man in the world cannot be the object of a witch hunt.
Museums that aren't perfect are the ones that I love. Museums that aren't overdesigned. I always like to visit the strange, odd museums. In New York, the Frick is absolutely my favorite, favorite place because I like to think that it was someone's home not that long ago.
We leave Scarlet Witch without a home, without a family, and she ends up creating a surrogate family within the Avengers and making a decision to be a part of the team. I think a lot of that has to do with what Jeremy's character - like his attitude towards her and the speech he gives her at the end of the film. So we pick up with her having started a new life, but still trying to figure out what her abilities are and if using them causes greater good or greater damage.
I love art, and I love history, but it is living art and living history that I love. It is in the interest of living art and living history that I oppose so-called restoration. What history can there be in a building bedaubed with ornament, which cannot at the best be anything but a hopeless and lifeless imitation of the hope and vigor of the earlier world?
I would love to draw for 'Scarlet Witch,' it's a Marvel title.
I always get so overwhelmed trying to do everything perfectly. I can't do a job and not put everything I have into it. I need to be the best employee, the best co-worker, the best whatever. I need everyone to like me and I just burn out bending over backward to make that happen. Having people be mad at me is my worst fear. I can't stand it. There is this crazy fear I have of being rejected by anyone - even people I don't really care about. It's always better to leave them first, cut all ties, and disappear. They can't hurt me that way - no one can.
Being a teenager is an amazing time and a hard time. It's when you make your best friends - I have girls who will never leave my heart and I still talk to. You get the best and the worst as a teen. You have the best friendships and the worst heartbreaks.
When I eat, I always pick out the best parts in the middle and leave everything else on the side. It becomes a big sculptural mess, but there are nice compositional elements about how it all sits on the table.
I'm very interested in the idea of unusual museums, ones that are not necessarily contemporary art museums - more like historical collections or house museums.
And it is true that life lacks the monotony of museums. There come days which seem worthy of being framed, but they are so full of conflicting sounds, of line and color and living, burning light that they never become tedious.
I would definitely agree that 'The Witch' doesn't leave much of anything to the imagination. There are some ambiguities about 'The Witch,' for sure, but all in all, it's pretty clear what's going on.
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