A Quote by Chuck Palahniuk

I want to find something else, unknowable, some place that's not on the map. A real adventure. — © Chuck Palahniuk
I want to find something else, unknowable, some place that's not on the map. A real adventure.
I want out of the labels. I don't want my whole life crammed into a single word. A story. I want to find something else, unknowable, some place to be that's not on the map. A real adventure.' A spinx. A mystery. A blank. Unknown. Undefined.
Give me an adventure. I'm not talking about some massive adventure. Just something that would make getting fired seem small. Something that I might remember when I'm old." "I can't predict the future," I said, "but based on what little I know so far, I'm afraid it has to be a massive adventure or nothing." "Great!" "Probably the kind of adventure that ends in a mass burial.
We ought not to believe those who today, adopting a philosophical air and with a tone of superiority, prophesy the decline of culter and are content with the unknowable in a self-satisfied way. For us there is no unknowable, and in my opinion there is also non whatsoever for the natural sciences. In place of this foolish unknowable, let our watchword on the contrary be: we must know - we shall know.
What a lost person needs is a map of the territory, with his own position marked on it so he can see where he is in relation to everything else. Literature is not only a mirror; it is also a map, a geography of the mind. Our literature is one such map, if we can learn to read it as our literature, as the product of who and where we have been. We need such a map desperately, we need to know about here, because here is where we live. For the members of a country or a culture, shared knowledge of their place, their here, is not a luxury but a necessity. Without that knowledge we will not survive.
Men who have a lot of charm have it in place of something real that you are eventually going to want from them and find that they do not have.
I think what I want Disneyland to be most of all is a happy place - a place where adults and children can experience together some of the wonders of life, of adventure, and feel better because of it.
Wherever we find news, excitement, mystery and adventure, there, too, we find the newspaper reporter. Always on the alert for something new, ready to risk his very life for a scoop and finding adventure in every corner of the globe.
Because it's kind of great, being an idea that everybody likes. But I could never be the idea to myself, not all the way. And Agloe is a place where a paper creation became real. A dot on the map became a real place, more real than the people who created the dot could never have imagined. I thought maybe the paper cutout of a girl could start becoming real here also. And it seemed like a way to tell that paper girl who cared about popularity and clothes and everything else: 'You are going to the paper towns. And you are never coming back.
For me as an actor, you always sort of want to bring yourself to a character in some way. You want to find a way to approach something in a way that's real and interesting, and also so there's some empathy there.
I don't want to be 45 competing with 20-year-olds, running to go get Botox. I want to be an expressive actor hired for the age that I am, portraying women who are my age: 40. I'm just hoping I can find some of those roles to play. Otherwise, I have to find something else.
The biggest challenge is probably some of the physicality. Some stuff you would never want to experience, in real life, but it's still such an adventure that it's worth all the scrapes and bruises and mud between the toes.
Whenever I finish a book, I go off and have some kind of adventure. Having had an adventure in my writing chair or on my writing sofa, an internal adventure, then I need to balance that off with an external adventure, so I'll go tramping through Africa or whitewater rafting or float to Hawaii in a martini shaker or something.
Some music comes from a real place; some music comes from your imagination. It's difficult to find out what's real and what's not, especially with the gangster stuff.
With 'Hannibal,' it's like reactive scoring so I don't get ahead. I don't read a script; I don't want to know what's going to happen until its happening in front of me and I'm able to have an instrument in my hands that I'm playing to make some kind of a map, some sort of tonal map, that I can then build on.
I never knew anybody who was unhappy with their job and was happy with their life. It's your sense of purpose. Now, some people can find it elsewhere. Some people can work a job and find it some place else.
I'd like to be remembered for music that moves people, that takes them some place else, that means something to them, reminds them of a good time or place, some memory, some positive moment.
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