A Quote by Chuck Palahniuk

A comedy ends with a wedding, and a tragedy ends with a funeral: you always have to juxtapose sex and death. — © Chuck Palahniuk
A comedy ends with a wedding, and a tragedy ends with a funeral: you always have to juxtapose sex and death.
What we do every St. Patty's day, which is wear green and drink a lot of Guinness. And maybe cry a little bit and laugh, and everyone will have to sing a song. That's how every funeral, christening, and wedding ends up in Ireland. Everyone ends up having to sing a song by the end of it.
Fate never knows when comedy ends and tragedy begins.
There's comedy in tragedy, and tragedy in comedy. There's always light and dark in most jobs. Whether it's framed as a comedy, drama or tragedy, you try to mix it up within that. You can work on a comedy and it's not laugh-a-minute off set. You can work on a tragedy that's absolutely hilarious.
The world, with all its beauty and adventure, its richness and variety, is darkened by cruelty. Death, if it ends the loveliness, the adventure, ends also that. Death balances the picture.
Death can be understood as the passage from one form to another, from a limited degree of life to another higher, freer one. It is wrong to assume that everything ends with death; what ends is only the temporary conditions in which people have lived on earth.
Human comedy is more profound than tragedy. In tragedy we die and it is very sad. In comedy we avoid death, and it is even sadder.
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like it's crying. The other mask is comedy. It looks like it's laughing. Nowadays, we would say, 'How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.'
I have always felt comedy and tragedy are roommates. If you look up comedy and tragedy, you will find a very old picture of two masks. One mask is tragedy. It looks like its crying. The other mask is comedy. It looks like its laughing. Nowadays, we would say, How tasteless and insensitive. A comedy mask is laughing at a tragedy mask.
The same authorities who insist upon beginnings, middles, and ends, declare that Great Literature (by which they mean the stories they have been taught to admire) is about love and death, while mere popular fiction like this is about sex and violence. One reader's sex, alas, is another's love; and one's violence, another's death.
At different points in my life, I had grappled with the idea of going into the priesthood - in high school or law school. Where it ends, I'm not quite sure. Perhaps it ends with death, grappling with one's spirituality.
I naturally think in terms of comedy whenever I see anything because tragedy is so close to comedy, so I like to add the tragedy to the comedy or a little bit of comedy to the tragedy in order to make them both feel more real to me.
A third variety of drama ... begins as tragedy with scraps of fun in it ... and ends in comedy without mirth in it, the place of mirth being taken by a more or less bitter and critical irony.
Happy Endings are an illusion. Real life is filled with brief moments of fleeting happiness, but ultimately every life is a tragedy that ends in death and grief.
There really is only one ending to any story. Human life ends in death. Until then, it keeps going and gets complicated and there's loss. Everything involves loss; every relationship ends in one way or another.
We have perhaps a natural fear of ends. We would rather be always on the way than arrive. Given the means, we hang on to them and often forget the ends.
Economics is a theoretical science and as such abstains from any judgement of value. It is not its task to tell people what ends they should aim at. It is a science of the means to be applied for attainment of ends chosen, not, to be sure, a science of the choosing of ends. Ultimate decisions, the valuations and the choosing of ends, are beyond the scope of any science. Science never tells a man how he should act; it merely shows how a man must act if he wants to attain definite ends.
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