A Quote by Chuck Palahniuk

Personal identity seems like it's just such an American archetype, from Holly Golightly re-inventing herself in 'Breakfast At Tiffany's' to Jay Gatsby in 'The Great Gatsby.' It seems like the sort of archetypal American issue. If you're given the freedom to be anything, or be anyone, what do you do with it?
Anyone who ever gave you confidence, you owe them a lot". ~Truman Capote, Breakfast at Tiffany's, 1958, spoken by the character Holly Golightly
I think everyone has some sort of connection to Gatsby as a character... he's created himself according to his own emotions and dreams and lifted himself by his bootstraps from a poor kid in the Midwest and created this image that is The Great Gatsby and it's a truly American story in that regard.
It’s Fitzgerald’s thin-but-durable urge to affirm that finally makes Gatsby worthy of being our Great American Novel. Its soaring conclusion tells us that, even though Gatsby dies and the small and corrupt survive, his longing was nonetheless magnificent.
All good American literature is always interested in people who are ambiguously heroic, like Gatsby.
The Romanoffs are like the other side of 'The Great Gatsby.' 'Gatsby' is about the people who don't have the history but who want it. And 'The Romanoffs' is about the people who have it and don't know what to do with it.
'The Great Gatsby' is a book I have read a few times, and it seems to get heavier every time I come to visit.
What "Make America Great" means is it doesn't mean race, and it doesn't mean gender, and it doesn't mean sexual orientation, and it doesn't mean anything identity politics related that seems to appeal to the Democrat Party. It's about a culture. It's about an identity. It's about an idea - the American idea, the American ideal.
The Gatsby that I remember reading when I was 15 years old in junior high school was far different from the Gatsby I read as an adult.
The sun of her [Great Britain] glory is fast descending to the horizon. Her philosophy has crossed the Channel, her freedom the Atlantic, and herself seems passing to that awful dissolution, whose issue is not given human foresight to scan.
I don't understand why black people have been so quiescent, so passive over the hundreds of years of American history. Why hasn't there been more violence, more armed struggle? I know answers to some of that, but it seems to me it's an issue of faith, an abiding faith in some sort of great beyond, or great spirit, or even in the American dream.
The best work of literature to represent the American Dream is 'The Great Gatsby' by F. Scott Fitzgerald. It shows us how dreaming can be tainted by reality, and that if you don't compromise, you may suffer.
I'm like Jay Gatsby. I like to throw the party and then stand back, looking gorgeous. Stand back and watch it.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
Between 9 and 10 AM the American radio is concerned almost exclusively with love. It seems a little like ending breakfast with a stiff bourbon.
You can't not like 'The Great Gatsby.' It's got the best sentences in, like, ever.
You can't not like "The Great Gatsby." It's got the best sentences in, like, ever.
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