A Quote by Chuck Palahniuk

When I first used to tour, guys would come up and say, 'Where's the fight club in my area?' and I would say, 'There isn't one.' And they'd say, 'No, no, you can tell me, you can tell me.'
When I first started out in comics they would put me on these Women of Marvel panels, and these young women would come up to me and say, "I really want to write comics but I don't know if I can because I'm told that it's just for guys." I would say, "That's bullshit. That's absolute bullshit. Look at me!" But the one area where we still need to work on is that we need more women of color. That's not common thing yet.
I used to go into pubs and people would want to pick a fight with me. I would hear a group of girls say: 'Oh look, there's Pat Cash.' And then one of them would come up to me and say, 'You think you're so good,' and throw a drink in my face. That kind of reaction from people was a bit of a shock initially, and you don't ever really get used to it.
I learned a long time ago to be honest when I'm talking to other artists. Up-and-coming artists used to come and say something, they would have a demo reel, and I would try to tell them the truth. I don't go up and say something unless I really feel it.
When he talked to you, you seemed to fit in, but when someone else was talking, or he would be distracted, you jsut looked lonely over there. At least to me. But whenever I would tell you that, you'd say "I'm fine. I just slip out of it, you know?" And I'd say "I'll catch you," and you would say, "It's not the kind of slipping you can catch.
Why would anybody connect to someone who has everything going for them? It's the person who has faults that people want to connect to. So people identify with certain insecurities on stage and just by me talking about my diabetes people come up to me after the show and tell me "Gabe, my blood sugar is out of control and I feel you". That's the first thing they say, they say "I feel you!".
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough'... I can't tell you how wonderful it feels.
For people to come to you and say, 'Would you like to be a part of our show?' after years of 'Please tell me I'm good enough,'... I can't tell you how wonderful it feels.
I will tell you that when I was heavy, people would say to me - and it was such a backhanded compliment - they would say, 'You've got such a beautiful face,' in the way of, like, 'Oh, isn't it a shame that from the neck down you're questionable.'
Yes, I know," "And I love to hear you say it, Louis. I need to hear you say it. I don't think anyone will ever say it quite like you do. Come on, say it again. I'm a perfect devil. Tell me how bad I am. It makes me feel so good!
When you're a stand-up comic, you live and die by what you say on stage. There's no director or writer or producer who can tell you what to say and not to say. Once in a while, a club owner will ask a comic to work clean, or not say something, but that's few and far between.
My mother would never say anything I cooked for her was great. She was always a 'Yeah, but' person. When she tasted my food, I used to say to her 'Don't tell me too straight, lie to me!' She couldn't even understand why I was on television.
I was mostly bullied by my classmates. People would come up to me and say, 'You're so dark.' I'd always fight back by calling out one of their insecurities, like, 'Well, you have a big nose.' Today, I'd tell them that I really love them. I'd thank them because they made me realize how unique I am.
There's a myth about actors saying, 'Oh no, that's not me on screen at all. I'm just acting.' OK, if I were to say to you that's not me, that's fine. And I would tell you that I don't behave like a villain everyday, and that's true, I don't. But to say there's absolutely none of me in there is ridiculous.
People come up and say, 'Hey, I know you!' They're middle-aged women and big burly guys. They say, 'Don't tell anyone, but I watch Felicity, and I think it's great.'
I used to wonder, when my grandmother would tell me what the wolf said to the jackal, how these animals can talk. And, she would say, 'in my stories, animals talk. Shut up and listen.'
I would rediscover the secret of great communications and great combustions. I would say storm. I would say river. I would say tornado. I would say leaf. I would say tree. I would be drenched by all rains, moistened by all dews. I would roll like frenetic blood on the slow current of the eye of words turned into mad horses into fresh children into clots into curfew into vestiges of temples into precious stones remote enough to discourage miners. Whoever would not understand me would not understand any better the roaring of a tiger.
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