If you take my stuff apart, you'll find my choruses of repetitions are picked up almost verbatim from Kurt Vonnegut, and my distanced fracture quality is all from Amy Hempel, who's probably my favourite writer.
Any writer my age almost can't get away from being influenced by Kurt Vonnegut, partially because of his simple, clear way of stating things. To read Vonnegut is to learn how to use economy words.
'At the Gates of the Animal Kingdom' by Amy Hempel showed me the lean quality of prose.
[Kurt] Vonnegut was a writer whose great gift was that he always seemed to be talking directly to you. He wasn't writing, he wasn't showing off, he was just telling you, nobody else, what it was like, what it was all about. That intimacy made him beloved. We can admire the art of John Updike or Philip Roth, but we love Vonnegut.
In seventh grade, with some vague sense that I wanted to be a writer, I crouched in the junior high school library stacks to see where my novels would eventually be filed. It was right after someone named Kurt Vonnegut, Jr. So I grabbed a Vonnegut book, 'Breakfast of Champions' and immediately fell in love.
Although Kurt Vonnegut may not be considered a humor writer, 'Breakfast of Champions' is one of the funniest books I've ever read.
Kurt Vonnegut speaking to John Irving while Irving was administering the Heimlich maneuver in response to Vonnegut's uncontrollable coughing..."John,stop- I am not choking. I have emphysema.
Kurt Vonnegut talks about how we know there is another family out there and when we find it we get this almost instinctive sense of belonging. And that is how I felt in Enniskillen in 1977 when I realized there were these people of all ages, whatever their religion, from different backgrounds, who were bound together by a love of plays and acting.
Kurt Vonnegut and I - it's not an exaggeration to say we were best friends. And I grew up just idolizing him.
I've just come back from Vegas, and I was in on the caucus process. It's insane. What a mess. And also with these particular candidates who are running, so many times I said, "I just wish Kurt Vonnegut were alive." This is like something he would be writing. This is just crazy stuff. I would love to hear his take on it.
I mean, first, almost all writers these days teach because they don't make enough money publishing to live on, to support themselves - people like Tobias Wolff, Anne Beattie, Amy Hempel, Stuart Dybek; a lot of short story writers, for one thing.
I've read some of Kurt Vonnegut letters from when he was young. He was a prisoner of war, and even when he was in his early twenties, there were things mentioned that showed up in his novels. One of the sweetest things in those letters was him wanting to be a writer but doubting himself, not having confidence in himself.
The problem with regional trade agreements is you get picked apart by the first country. Then you negotiate with the second country. You get picked apart. And you go with the third one. You get picked apart again.
My theory is that Kurt had a lot of residual pain from his childhood. And when you pile that on top of his experience in World War II - he was in Dresden when it was bombed and saw a city annihilated. When you combine those two things, my impression of Kurt Vonnegut at 84 was that he was a very pained and haunted man.
I don't think of Kurt as 'Kurt Cobain from Nirvana'. I think of him as 'Kurt'. It's something that comes back all the time. Almost every day.
As Richard Pryor was to Eddie Murphy, that's what Kurt Vonnegut was to me.
We have this habit of romanticizing the lives of writers. I remember when I was a kid, I was like, 'I want to be Kurt Vonnegut.'