A Quote by Chuck Palahniuk
I dread the promotion part of my job. It's agony, especially compared to the private, at-home joy of writing. But being a grown-up means doing every part of the larger task.
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I feel myself part of something. Not only being part of a community but part of an actual moment and a movement of Irish writing and art. That sense of being part of the whole thing is the deepest joy.
To drop into being means to recognize your interconnectedness with all life, and with being itself. Your very nature is being part of larger and larger spheres of wholeness.
You can' t help being a musician because you've grown up with music, yet being one means being compared to your dad and being slated for it. But I really don't have the ambitions of most people going into the industry.
Our job this day is to become part of the answer to the world's immense and protracted suffering rather than continuing our ancient task of being part of the difficulty.
The writing life doesn't move in a straight line. I've had successes and rejections all along the way, at every stage of my career, and I will continue to do so. Acceptances and rejections don't define me. They're both part of what it means to be a writer. My job is to simply keep doing the work.
I have modes, mental modes that I get in, and when I'm on the road, I focus very much on doing the work. On playing the show, on being good every night. And part of me just gets switched off. The part that's very private and very personal and very intimate. That especially, that part of me gets shut off.
Success comes from doing the hard part. When the hard part is all you've got, you're more likely to do it. And this is precisely why it's difficult to focus. Because focusing means acknowledging that you just signed up for the hard part.
Part of my job at 'The Economist' was writing about HIV, and that included the grim task of reporting on the state of the global epidemic.
For me, the hardest part is getting up and writing, that's the hard part. I always felt like I could teach someone to direct if I really had to. I feel like it's a skill that's passable, but writing... writing is the worst. That's what I'm doing right now, it's just the hardest thing that you'll ever do.
The cultural decoding that many American writers require has become an even harder task in the age of globalisation. The experience they describe has grown more private; its essential background, the busy larger world, has receded.
When you ask people what it is like being part of a great team, what is most striking is the meaningfulness of the experience. People talk about being part of something larger than themselves, of being connected, of being generative. It becomes quite clear that, for many, their experiences as part of truly great teams stand out as singular periods of life lived to the fullest.
The intellectual part of religion is a private affair between every man and his Maker, and in which no third party has any right to interfere. The practical part consists in our doing good to each other. But since religion has been made into a trade, the practical part has been made to consist of ceremonies performed by men called priests ... By devices of this kind true religion has been banished, and such means have been found out to extract money, even from the pockets of the poor, instead of contributing to their relief.
Antiracism is not "my" campaign. I have been doing antiracism organizing, activism, educating and writing for 20 years, in one form or another, but it's not a personal crusade. My work is part of a larger tradition, and larger effort, involving mostly people of color, and of course some white allies as well.
I was fascinated by the [operation] of a U-boat ... where every single man was an indispensable part of the whole. Every submariner, I am sure, has experienced in his heart [the joy of] the task entrusted to him [and] felt as rich as a king.
When I do work, I choose to see every job as an opportunity to grow, as an actor and as a person. My favourite part of it is being part of a team, with everyone pulling in the same direction.
In writing 'The Satanic Verses,' I think I was writing for the first time from the whole of myself. The English part, the Indian part. The part of me that loves London, and the part that longs for Bombay. And at my typewriter, alone, I could indulge this.
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