A Quote by Chuck Ragan

Creating records and writing music with people I admire and respect is a very spiritual and enlightening thing for me. — © Chuck Ragan
Creating records and writing music with people I admire and respect is a very spiritual and enlightening thing for me.
I care about the records I make and I love writing songs and some songs are really dear to me and they mean something. But the memory of making the records and the activities surrounding the records, the people involved in them is actually a bigger thing to me.
For me, writing and creating music can be quite a solitary thing.
That's the thing I love the most - making records and creating new things. That's always the thing that grabbed me. Making records is the thing that I really love.
I tell people all the time - I'm a very spiritual person, so I pray over everything that I do including creating music, a new song.
As an artist, I feel that my father's biggest influence is me realizing that music has a purpose and it's not just for business and that music is spiritual. I get that from him that music is a spiritual thing.
I admire people who are very successful. But if that success has been achieved through too much ruthlessness, then I may admire that person, but I can't respect him.
There are records that you just sink into. They coincide with what you’re going through and become an ally. If our records do that for people, that’s the greatest compliment I could ever receive. That’s one of the reasons making music is so important to me, because there’s a very strange emotional reach. For me—more than books or movies or other things—music is like a mainline to your heart.
Actually, I very much dislike routine. Creating music is my chaos therapy. The writing process puts me in a good place. Recording the music is the release of however I felt in the song.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
People like to compartmentalise music, especially African-American music, but it's really one thing. One very wide thing. I mean, it's like all those great records by Marvin Gaye and James Brown back in the day - there are tonnes of jazz musicians playing on them.
To work with anyone you admire and respect, and have for a very long time, is a surreal thing.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
I cleaned up my act, and I made this rap thing work for me. I thought people would respect me for that. But instead, it's, 'Oh, he's sold all these records, and now he thinks he's all that.'
After receiving strong encouragement from numerous people that I respect and admire, discussing with my family, and seriously considering it, I have decided not to run for the 12th Congressional District, a seat currently held by a man I admire very much, Representative Jerry Costello.
You're letting such a fragile side of yourself out when you're creating or writing music. To do that with people who are almost strangers would seem very strange to me. I think that we're very lucky that we're quite close. To us, it's almost like the band is the grandest possible adventure you can go on with your friends. It's really really exciting.
Whenever you respect and admire a spiritual quality, it starts to grow in yourself.
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