A Quote by Chyler Leigh

I sing at home all the time with my kids and my husband, and I will write music together. It's kind of a very intimate thing for me. — © Chyler Leigh
I sing at home all the time with my kids and my husband, and I will write music together. It's kind of a very intimate thing for me.
The water in music the oar forsakes. The air in music the wing forsakes. All things in move in music and write it. The mouse, lizard, and grasshopper sing together on the Turlock sands, sing with the morning stars.
My house is very traditional. And I love 'shabby chic.' It's a very homey-cosy vibe. We spend a lot of time in the kitchen, actually; maybe my kids will be doing their homework or that kind of thing when they get home from school. I love my kitchen.
Because I write fiction, I don't write autobiography, and to me they are very different things. The first-person narrative is a very intimate thing, but you are not addressing other people as 'I' - you are inhabiting that 'I.'
Writing is a very intimate thing, especially when you write lyrics and sing them in front of someone for the first time. It's like a really embarrassing situation. To me, singing is almost like crying, and you have to really know someone before you can start crying in front of them.
Even though there's no forum for me on the radio for the kind of music I sing anymore, I am still excited about having a career where I can sing the best music in the world, and people will come and hear me because of the hit records I've had in the past.
When I write, it's intimate. I write in the car, and I don't even hear, like, ambulances driving past me because I'm in my car, listening to the music, writing. I record in an attic with no booth. It's not like I'm in the dark with candles, but it's like a house, a home, and I record like that. I think that plays into the music.
I think it was pretty obvious early on that we had both come with kind of the same attitude of "Let's just [jump] in," and neither of us was going to be precious about it. I feel like the thing that we learned is, weirdly, the most intimate thing or a very intimate thing you can do to somebody is hold their tongue with your fingers. When Paul [Dano] is making me talk [in Swiss Army Man].
I write lyrics really fast. When it's time to write, I usually put them off until the very end and then when it's time to write I can just sit down: I sing the melody, whatever the melody is, because that's the first thing that's already been there for a long time; I start singing it and I start creating consonants and vowels; then they turn into words; then all of the sudden one sentence will happen; then that sentence will dictate how the rest of the sentences happen.
I don't want to do children's music. I write kids songs, but the kids songs I write are for my kids - like when I'm putting them to bed. We sing some song that we made up but I don't want to make a record like that.
I believe that the greatest music is storytelling anyway, in a heightened medium. So I write a lot of music, and I play a lot with my guitar, I still sing a lot, but now I'm more personal about it than public, in a way. I think there will be a time where I'd like to bring the singing back into some of my performances. It all depends if the material's right, if the story's right, if it's my kind of taste in music, as well. It means so much to me. We all know how affective music can be, I just want to make sure when I do it, I'm doing it because I actually feel it and I care about it.
Because my musical background is so diverse, it lends me to have very much my own style and it helps me to relate to the music as I'm going to play it. I just write. And if it comes out country, it's a country song. The funny thing is, I write all across the board. I just write what hits me at the time.
If I hear one of my songs by anybody, it's a dream come true every time for me as a songwriter, because I want to write a song, I want to write a song that the world can sing and will always sing.
I find it very difficult not to write in any sort of Sudanese style. With Sudanese music, there are very specific things that happen with the syncopation of the drums, melodies and stuff. And whenever I write, that's always the first thing that comes out, because I grew up listening to it. It's a part of me, so I try to bring that out in the music. I think that you have to be honest with what you do, and that's the most honest thing that I can do, is to write that way.
Music, to me, is the most beautiful form, and I love film because film is very related to music. It moves by you in its own rhythm. It's not like reading a book or looking at a painting. It gives you its own time frame, like music, so they are very connected for me. But music to me is the biggest inspiration. When I get depressed, or anything, I go "think of all the music I haven't even heard yet!" So, it's the one thing. Imagine the world without music. Man, just hand me a gun, will you?
My belief is that my wife should be at home looking after my kids and cooking and cleaning. She's a very privileged woman to have a husband like me. Not everyone's in her position, but the ones who are are very lucky. That's my opinion.
When I'm home, I've got the kind of time that other dads who live there full time don't have. I can go and have lunch with my kids at school and that sort of thing.
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