A Quote by Ciara
When I shop, I only do it when I really have to do it for something. I don't like to try on clothing like that - as much I love looking fly.
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I do shop online! But I'm shopping online mostly in the home categories - One Kings Lane and Gilt. At a lot of architectural websites, I buy a lot of hardware for cabinetry like hinges and things like that from England. So, you know, for me, I shop at Net-A-Porter, but I don't really shop that much for clothing online.
I do shop online! But I’m shopping online mostly in the home categories - One Kings Lane and Gilt. At a lot of architectural websites, I buy a lot of hardware for cabinetry like hinges and things like that from England. So you know for me, I shop at Net-A-Porter, but I don’t really shop that much for clothing online.
Oh, I shop all over the place, really. Like I love department stores like Barney's and Saks and stuff like that. But I also just like to walk in Soho and find some interesting boutique that doesn't really have a huge name or following, and I'll go in and find something amazing.
I’m not much of a fly tier. I can do it—my friend calls it 'ham and eggs tying'—and I tie some cool flies that I can’t buy in a fly shop, but other than that, I would no more sit down and tie a dozen hopper patterns than I would do something absolutely insane, like build a rod.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
I am really looking for a chance to direct. I feel like that's kind of the next frontier for me. I know that it's really hard to do, but I feel like I want to have a chance to try and translate something I've written and try and get a tone across.
That's what all art's about - a sense of moving away from boundaries that you can't in real life. Like a dancer is always trying to fly, really - to do something that's just not possible. But you try to do as much as you can within those physical boundaries.
You become self-conscious and you begin to criticize yourself so much and watch yourself, and I don't want to ever do that. I want to be able to be free and explore. So I won't really watch it, but I would love to do, like, The Incredibles, or something like that. I would love to do a movie that's really, really good and animated. Inside Out, something like that. Something really smart.
I love musical festivals Pukkelpop, Lowlands, and Glastonbury. But Roskilde is great - it's one of the things Danes try to be proud of. Actually, I usually try to set up a clothing pop-up shop at the festival every year.
I think it's really hard to find a good women's magazine, and I like that Glamour is way more about what you want and not what your man wants. I don't really know what it's like to be a woman yet, so I wouldn't have too much insight, but I guess it would be a bit interesting to have more of that granny style in there. Because I think it should be easier for women to feel like they don't have to be conventionally attractive or think of flattering clothing before they think of fun clothing.
I'm in the Apple store on Regent Street far too much; I'm obsessed by whatever the latest Apple gadget is. For clothes, I love to shop in Liam Gallagher's shop Pretty Green on Carnaby Street, or Cult Clothing in Crouch End, for Original Penguin and G-Star.
If there's something I really like or a chord progression, I write a note in my Blackberry, and maybe a year later, I'll revisit it and ask, 'What did I like about that?' I really don't try to think too much about it. I like to be fresh.
I like a really natural looking body, so I'm not into muscles and looking like you just did 1,000 pull-ups and sit-ups and like you only eat lean turkey. That's not for me. I just like people to look like people, and so I think it's really attractive when men don't have perfect bodies.
[My mother] tried so hard to make life easy for us. Those are the things that forced me to try to do something different and when this Movement came to Mississippi I still feel it is one of the greatest things that ever happened because only a person living in the State of Mississippi knows what it is like to suffer; knows what it is like to be hungry; knows what it is like to have no clothing to wear.
The thing that is really hard about adaptation is that I try to only pick things I love because if it is something where you think, "Oh, that sounds like an interesting idea but I don't love it," then I can't do my job well.
What I really search for is something that I really love hearing, something that's my own private game: If I find a song I really like, I try to do a definitive version.
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