A Quote by Ciara Renee

My general audition song is almost always 'Man That Got Away.' — © Ciara Renee
My general audition song is almost always 'Man That Got Away.'
I don't always have to sing a song. There is something besides 'The Man That Got Away' or 'Over the Rainbow' or 'The Trolley Song.' There's a woman. There are three children. There's me! There's a lot of life going here.
I hadn't even watched '24' before, and the audition was kind of far away. When I got the material, there wasn't a character yet, so it almost seemed like an assistant to Jack Bauer saying, 'Yes, sir. No, sir.'
I hadn't worked for a year when I had my Prison Break audition and it was the easiest audition I've ever had. I got the script on Friday, went to the audition on Monday and got the part on Tuesday. I was shooting the pilot a week later. I didn't have time to be nervous - it happened so quickly.
When I went to do my big audition with actors for Mr. Blonde, the thing that was very interesting was the first person to actually do the audition with the song, and they kind of actually acted out the whole scene, they weren't so great. It wasn't that they were magnificent, but the song, it was the first -it was all - been in my head.
Donny Hathaway's 'For All We Know' is the song that I've sung the longest. It is a beautiful song about living in the moment and appreciating this very second. That is the song I did for my 'Rent' audition.
When I moved to Los Angeles, I was straight out of grad school, and I didn't have a single credit to my name. I knew one person in town - another actor whose name is John Billingsley. I just had to audition and audition and audition. I was plugging away for 15 years. So I earned my stripes!
I actually like to audition. I prefer to audition for something because I don't want to walk onto a stage or a set and [have someone] say, "You are so far away from what I thought you were going to bring in." I would feel more comfortable to audition and say, "Here's my take on it - take it or leave it".
This album [Give the People What They Want] has almost been in the making for almost three years now. When we first began on it, my mother was sick. When she passed away, I got on stage and played that night. The music helped take me away.
I always loved that old song Banks of the Ohio - it was always such a man's song, so I've always wanted to record it.
I always loved that old song 'Banks of the Ohio' - it was always such a man's song, so I've always wanted to record it.
I went to the audition for a laugh and got the part for the way I walked down the corridor. There's no justice is there? [on getting a role from an audition
For most women, Greenham was a place of principle, growth and song. Often joyful, sometimes terrifying, and almost always cold. As it got harder, with constant evictions and mounting violence from a frustrated and humiliated police force, the women got more determined. It was a community with a shared purpose - to live in peace.
I can picture the color of the song, or the shape of it, or who it is that I'm trying to appeal to, in the song, and what I'm trying to, almost, reinforce my feelings for. And I know that sounds sort of vague and abstract, but I've got a handle on it when I'm doing it.
I used to be a wonderful auditioner. When I was living in New York, I'd audition every day. And I like to audition. But then it got to a point where I didn't like it anymore. So once it got to there and I also knew more about the business and I thought, "I can't do this anymore."
I think, in general, the sport's frustrating because I think it's one of only a few sports in the world where you've got so many other variables. Not taking anything away from the winner, but the best man doesn't always win. I think part of that makes the sport really exciting, and part of it makes it heartbreaking.
I think the reason why I'm an actress is because I got hooked on the feeling of studying for an audition, going to the audition, and then getting that phone call.
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