A Quote by Ciaran Hinds

For all the acting you can do, the actual soul of someone does somehow permeate through their work. — © Ciaran Hinds
For all the acting you can do, the actual soul of someone does somehow permeate through their work.
Part of the reason why I love acting is that you do hope that somehow your work will connect to people and somehow expand their consciousness somewhat, and being able to challenge notions of prejudice through work - through my work - is really thrilling.
These revelations expressed through Art work upon the soul with a force carrying its own conviction and permeate our sentient life with a sense of truth which logic and mere reason are powerless to combat.
I do research. I do emotional sort of Method work. Somehow it’s a huge mishmash of things that becomes my own acting process and my own way of navigating through something. But ultimately the desire is to be honest, and for that truth to bleed through into your work and onto the screen.
Honestly, acting is the most work when you're unemployed. For me, the actual acting part is never hard. It's the politics and basically everything around the acting that is difficult.
I think acting is a gift. I look at someone like Ben Kingsley, and he's incredibly charismatic, even when he's not acting. He's an incredibly hard worker, and he has a very specific system that he does with his work.
This is the eternal origin of art that a human being confronts a form that wants to become a work through him. Not a figment of his soul but something that appears to the soul and demands the soul's creative power. What is required is a deed that a man does with his whole being.
I think acting is a gift. I look at someone like Ben Kingsley, and hes incredibly charismatic, even when hes not acting. Hes an incredibly hard worker, and he has a very specific system that he does with his work.
I studied method acting for four years and I'm a big believer in the idea that it's not about the actual experience itself. You don't have to go through exactly what this character has gone through.
Somehow you can tell the difference when a song is written just to get on the radio and when what someone does is their whole life. That comes through in Bob Dylan, Paul Simon, Willie Nelson. There is no separating their life from their music.
God is not pleased by blood – and not acting reasonably is contrary to God's nature. Faith is born of the soul, not the body. Whoever would lead someone to faith needs the ability to speak well and to reason properly, without violence and threats... To convince a reasonable soul, one does not need a strong arm, or weapons of any kind, or any other means of threatening a person with death.
The inner light actually comes from the soul; it is already inside us. The moment we can have free access to our soul, we will see that this light is coming to the fore to permeate our whole outer existence.
This work of connecting our light to the world does not need to be done through a mass movement, or by millions of people. . . .The real work is always done by a small number of individuals. What matters is the level of participation: whether we dare to make a real commitment to the work of the soul.
Acting has helped me understand people, not only because you are acting as a character, but also because you are watching other actors work. That really helps you identify in life when someone is acting, not being true.
Somehow, knowing that Alzheimer's is coming mocks all one's aspirations - to tell stories, to think through certain issues as only a novel can do, to be recognised for one's accomplishments and hard work - in a way that old familiar death does not.
I am very present in my work and my work is somehow an expression of my soul, but at the same time I think that a writer cannot write out of nothing.
My work is about the establishment of trust. For someone to share their authenticity with me is a soul-to-soul thing. It's not a lens-to-soul thing.
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