A Quote by Cicely Tyson

When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused.
When I attack a role, be it TV, film or stage, the first thing I say is, I don't want to know anything. If it's good I don't want to hear it; if it's bad I don't want to hear it. The only thing either thing can do is distract me. I like to stay focused
The people who go get an LL album want to hear LL. They don't want to hear LL trying to sound like DMX or whoever else is out there. That's not what they want to hear from me, because if they want to hear that they can go get the real thing.
First of all, there's the celebrity thing. Like, who are you here for, are you dating me or are you trying to date my dad? These men either just want to be there for one thing and don't want to stay for the real relationship part or they just want to ride the wave and be bougie and bomb and have their picture taken and do all of that.
If you really want to hear about it, the first thing you'll probably want to know is where I was born, and what my lousy childhood was like, and how my parents were occupied and all before they had me, and all that David Copperfield kind of crap, but I don't feel like going into it, if you want to know the truth.
It was a fun film. I had a great time doing it. I was looking for a role just like that for my first movie role. I didn't want to have a starring role, because I wanted a chance to learn. I didn't want the whole thing riding on me.
There's a perception that if an artist produces another artist, they're going to imprint on them. But I'm the opposite. I want to hear that artist; I don't want to hear me - that's the last thing I want to hear. There are a lot of technical studio things I've learned or figured out, and I feel like I could use those things to help other people with what they're doing.
I know my head isn't screwed on straight. I want to leave, transfer, warp myself to another galaxy. I want to confess everything, hand over the guilt and mistake and anger to someone else. There is a beast in my gut, I can hear it scraping away at the inside of my ribs. Even if I dump the memory, it will stay with me, staining me. My closest is a good thing, a quiet place that helps me hold these thoughts inside my head where no one can hear them.
I have no patience with people who want to tell me what's wrong. I only want to hear from the person who first tells me the solution and then fills me in on the problem. I don't want to hear that your basement is flooded. I want to hear that you've found the number to the cleanup company. Then tell me why you're calling them.
The only thing I can't do is hear. I can drive, I have a life with four kids, I work on TV, I do movies, so the deafness question, is it that they want to know because, what? Not sure.
I know Elon, we're very like minded in many ways. We're not conceptual twins. One thing I want us to do is go to Mars, but for me it's one thing. He's singularly focused on that. I think motivation wise, for me I don't find that Plan B idea motivating. I don't want a plan B for Earth, I want Plan B to make sure Plan A works.
You cannot just be the feature act, not that that's a bad thing, because that's a good thing, especially nowadays. But as an artist, you want to express yourself and you want to know what you want to express.
The thing that amazes me about getting fired is that nobody ever has anything insightful to say about it. They always say the same thing. They always say, 'Everything happens for a reason.' As lame as that sounds, I guess it’s better to hear it out loud. Because when you hear it in your own head, it sounds like, 'Anything can happen with a razor.
The thing is, the kids always rebel against what the parents try to push on them so I'm going to pretend like I don't want my son to hear the rock. I'm going to listen to it only in my private chambers. He'll hear echoes of it and say: "What was that you were listening to papa?" And I'll say: "Nothing son, you're not ready."
My tendency is to want to say to the person, "Do you understand why I feel this way?" I usually do say that. And sometimes it doesn't go well. By this I mean we hit an impasse again. Not that I need to hear exactly what I want to hear, but I need to know I am heard. Those moments make for a better friendship. But I can't let it go. For good or bad.
I am moving towards that zone where I don't want to be a replaceable name. This is my goal. I want to hear from the industry that, 'You are the only one who can do this. We will not go ahead with the project if you don't do this.' And I want to hear from the audience that it is worth watching a film that I have done.
You don't get to rehearse much on TV. You are kind of rehearsing on film. Depending on the way you work, that's either a good thing or a bad thing.
This site uses cookies to ensure you get the best experience. More info...
Got it!