A Quote by Cicely Tyson

Ali... we should have gone to see that movie. Malcolm X was another one. — © Cicely Tyson
Ali... we should have gone to see that movie. Malcolm X was another one.
Ali... we should have gone to see that movie. Malcolm X was another one
There'll never be another Muhammad Ali. He was a superstar. And although he has gone, his legacy will live on for what he has done for sport and humanity.
Sometimes one of my ways of choosing movies that I want to do is if it's the kind of movie I would have gone to see when I was a kid, and this is a movie I actually did go see, as a kid. And I think it will be exciting for audiences to see now.
I'm my own artist, and I see artists as movies. No one should try to change them for anything. If you don't like it, you just don't follow it. And if you don't like a movie you don't watch it. Watch another movie.
There's a hidden history. You see, Malcolm X and [Alex ] Haley collaborated to produce a magnificent narrative about the life of Malcolm X, but the two men had very different motives in coming together.
Sugar Ray Leonard was as close as anyone came after Ali to being Ali, but he wasn't Ali.
'Ali' is a breakthrough for its director, Michael Mann. The film, based on the life of Muhammad Ali, is Mr. Mann's first movie with feeling; his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds.
I never try to guess what anyone else will take from a movie. Every movie is such a different experience for each and every person. I don't like it when people try telling people what they should take from a movie. You should go see it with fresh eyes and see for themselves.
With my mom, when someone was gone, they were gone. She didn't waste another minute thinking about them, and neither should you.
A good score should have a point of view all of its own. It should transcend all that has gone before, stand on its own two feet and still serve the movie. A great soundtrack is all about communicating with the audience, but we all try to bring something extra to the movie that is not entirely evident on screen.
The days of the heavyweight champion as civil rights leader are long gone. You think you'd see Ali rolling around on the floor of an ESPN Zone? I don't think so.
The MMI brothers, who provided security for Malcolm X had been trained by Malcolm himself that inside of the Nation of Islam, whenever there is a diversion, you protect the principal. The principal, in this case Malcolm, clearly was not protected on February 21st [1965].
Elements within Malcolm's X own entourage, some of them were very angry with some of the changes that had occurred with Malcolm. One source of anger, curiously enough, was that - was the tension between MMI and OAAU, that the MMI, the Muslim Mosque Incorporated, these were women and men who had left the Nation of Islam out of loyalty to Malcolm, but then Malcolm continued to evolve rapidly.
What people don't understand about making a film is sometimes your experience on the film shapes who you are. You're gone to another country for five months, maybe more, there's training leading up to it... It's a whole life experience that people don't see because they just see the final product wrapped up in a couple hours. You don't see everything that happens around it. I think it's hard to say one movie or one thing; I think they all shape who you are.
Mustafa Ali is who I wanted to see when I was growing up. I'm not wearing anything on my head; I'm not saying anything in Arabic. I'm just going to come out as Mustafa Ali.
It is really disturbing to see that every Tom, Dick and Harry starts singing compositions of Nusrat Fateh Ali Khan and Farrukh Fateh Ali Khan as there is no one to claim it.
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