A Quote by Cilla Black

Turning 70 was a real shock. I thought, 'I'm on the last lap now.' — © Cilla Black
Turning 70 was a real shock. I thought, 'I'm on the last lap now.'
And so out of the blue the call did come and said, you know, "Would you be - would you consider turning this [The Starter Wife] now into a series?" And so obviously that was a shock. And all the conversations began. And, you know, and now we're here. Now we're finishing up our last episode right now.
I started training wrestling in the pre-social media era and I was very cautious - I thought, 'I can't have people know my real last name.' So I changed my last name to End because I always called myself 'The End.' I thought that was cool. I thought I'd take my real first name and my 'fake' last name, and that's how I came up with Tommy End.
I think the most important thing is authenticity, just being as real as I can be. But also flexible and open to change and other ideas and thought processes. Back when you and I last talked, I was at a turning point in my life, and I was having a tough time. I was hiding it, but I had a really hard time just being me. So now it's important that I'm just me.
Cats are the lap-dancers of the animal world. Soon as you stop shelling out, they move on, find another lap. They're furry little sociopaths. Pretty and slick -- in love with themselves. When's the last time you saw a seeing-eye cat?
I'm 48, which is a bit of a shock to me. Why only last year I thought I was a precocious young thing!
I've never thought of myself as an actor, so somebody recognizing me for that would be a real shock.
It isn't enough to shock. It's easy to shock. Real surprise is what I'm after.
When Mahavishnu came out in '71, the unbelievable reaction to the band was a real shock to me. It was a shock to everybody.
Shock is shock. Your body goes into shock, regardless of it being real blood or fake blood. The mind sends powerful messages to all the various glands and secretions in the body. It's impossible trying to act it; it just happens. It's a very important question: no acting.
You put on a face for the public. The face isn't false; it's just another side of you. If it were false, you couldn't last. People want something real and natural, and if they catch you acting, you're dead. It has to look real. In order to look real, it has to be real, and I've always thought of the characters I've played as real people.
My goal is to be a great-looking 70-year-old! I won't mind being 70, but I want people to say, "You're 70?"
The lovely thing is that now being offered things is just a blast. In the beginning, I'd be offered something and be like, "What? What do you mean? Are they sure?" And now, I have less shock about it. It's just a real pleasure. It's a privilege.
If you purposefully look to shock people, it isn't funny. That's what 50 million dollar Hollywood comedies do; try to be shocking and dirty. They aren't really. It isn't enough to shock. It's easy to shock. Real surprise is what I'm after. Those early movies, we had drugs, which you weren't supposed to show. You weren't supposed to shoot up. We would make fun of hippies. I think that we were punk before there was punk.
Uh, I do not wear a wig in 'Star Trek' like I did in 'Bottle Shock,' thank God. 'Bottle Shock' will be the last wig movie I ever do.
To me, it's more important to take the 60-70% of people who really understand that there's a problem [of climate change] and get some percentage of them active than to try and stamp out the last embers of pre-scientific thought.
The closest encounter I had with films in my childhood was sitting on the lap of my father at a shooting set, and he would say 'rain,' and it started raining, and then he would say 'song,' and people started dancing. I thought I was sitting on God's lap.
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