A Quote by Cilla Black
In the Sixties, you needed talent to make it.
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I learned early that business is business and politics is politics. The proof is how few important businessmen have made good politicians. They may think that they are very smart about everything because they made millions of dollars by digging a hole in the ground and finding oil, but the talent and luck needed to become rich are not the same talent and luck needed to succeed on Parliament Hill.
I needed to make the buyer happy: I needed to provide a price point and sort of a model that was attractive to them. But I also needed to make the contributor happy.
One lapse of judgment can cost and talent isn't everything. A huge slice of good fortune in needed to make it to the top, and without that element of luck, you've no chance.
I wanted to make the brand cool again. I needed to make it a little smaller to make it bigger and I needed to change the consumer experience.
Talent and generosity are needed to recognize talent and generosity in our companions; all is discord to an ear that has no idea of harmonies, but it needs a musical ear to delight in music.
But the whole point of the Sixties was that you had to take people as they were. If you came in with us you left your class, and colour, and religion behind, that was what the Sixties was all about.
We wanted to more richly experience why we were alive, not just make a better life, and so people went in search of things. The great thing that came from those that time was to realize that there was definitely more to life than the materialism of the late sixties and early sixties. We were going in search of something deeper.
I'm a child of the sixties, I'm a man of the sixties. During that period of time this country was coming apart at the seams. We were in Southeast Asia. Good men were dying for America and for the Constitution.
I felt so much when I was fifteen, sixteen, seventeen, I felt everything. I didn't understand [myself], I was so happy yet so angry and sad. That was the point when I realized that I needed to tell stories and make characters come alive and I needed to make people cry, and make people angry, and make people happy, and make them laugh.
Well, I actually grew up in the sixties. I feel very lucky, actually, that that was my slice of time that I was dealt. Let's remember that the real motivation in the sixties, and even in the fifties, was the Cold War.
Obviously, the Sixties was a time when everyone wanted to experiment, and then everything became very formulated and corporate, so artists tended to get pushed into a kind of pattern. Now, I think that has continued with the emergence of televised talent shows like 'X Factor.'
I say that being a smart writer doesn't make you a good writer. There's obviously a difference between talent and intelligence. And it may be that at some point intelligence begins to impinge on talent, or talent on intelligence.
I have been blowing past the majority of my opponents, so people get the impression of me as an attacking, body punching, and brawler type. I do like to put the pressure on, but I have very underrated boxing skills. I have won nine amateur titles. I had 80 amateur fights, and won 76 if them. You do not get that kind of record without having talent. The good thing is I have not really needed all my talent yet. When I get an opportunity to show that talent, people will start taking me more seriously.
The real issue is not talent as an independent element, but talent in relationship to will, desire, and persistence. Talent without these things vanishes and even modest talent with those characteristics grows.
The talent, including the talent for history - and I do think there are people who just have a talent for it, the way you have a talent for public speaking or music or whatever - it shouldn't be allowed to lie dormant. It should be brought alive.
The mindset that is needed, the capabilities that are needed, the metrics that are needed, the whole culture that is needed for discontinuous innovation, are fundamentally different.
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