A Quote by Cillian Murphy

From a very young age I had an ambition to be a musician, and to do that professionally. That's what I pursued until I was about 20, playing in bands that were taken pretty seriously at that stage.
My brother is the lifelong musician, he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.
My brother is the lifelong musician; he made the choice to do that when we were very, very young kids. I remember him playing in bands and listening to the music he was writing in the house - he's nine years older than me.
I want to be taken seriously as the type of musician that plays stuff like an electric rake. I mean, how seriously do you take someone like Spike Jones? They take him pretty seriously - a really good musician who made a great contribution in terms of humor, which is part of what I try to do too.
I definitely grew up on a lot of American bands. I didn't really know that there were any decent Australian bands until I was around 20.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
I'm 24, and a lot of people my age grew up listening to bands that were big and making it from around here. I was going to Flaming Lips and Chainsaw Kittens concerts when I was 12, and getting my mind blown at a young age... and maybe for people in bands, there's irreparable damage from those kind of things, and it turns out weirder bands.
For me from a pretty young age up until about 21 years old hallucinogenics had a huge place in my life.
I started playing on my grandmother's organ at a really young age. I learned 'Chopsticks' and that kind of thing, but I didn't really start picking it up and start taking it super seriously until I was probably about 13, 14.
Signing to a major, there weren't many bands from our sphere that were doing it. I mean, obviously R.E.M. had done it, and Husker Du and the Replacements had done it, and maybe Soul Asylum, but that was probably about it. Those four bands were pretty much the only ones from that milieu that had signed to a major.
I feel like I've been doing performing my entire life. I started taking music lessons and singing when I was about ten. I didn't have one of those creepy stage moms that made me do stuff. I started bands at a pretty young age and played with my friends back in Detroit. I've always known that I wanted to do this. It was all I was ever interested in doing. I never had, outside of music, any extracurricular activities that I took part in.
Then, at age 20, I discovered theater sort of by accident. Quite quickly, theater became more important to me than music. I began to realize that maybe my talents as a musician were quite limited, or had a ceiling to them, whereas acting seemed to sort of stretch before me. I got very passionate about it very quickly.
I talked to a few schools about playing football, but I had already pretty much made my mind up. I fell in love with baseball at a young age, and I knew that that's what I wanted to do.
The incarnation is “a kind of vast joke whereby the Creator of the ends of the earth comes among us in diapers Until we too have taken the idea of the God-man seriously enough to be scandalized by it, we have not taken it as seriously as it demands to be taken.
In order to dance professionally, you have to start at a young age. No matter what, your muscle structure and your bones have to be groomed from a very young age. Nobody wakes up at 17 and decides to become a ballet dancer.
There was a period of time between 2005 and 2008 that was pretty challenging. I had taken a leap of faith and moved to Los Angeles from New York, which had been incredible to me professionally. I couldn't get arrested in this town. There was a lot of doubt and fear that crept in, and boy, did insecurity stick her foot up in it. There were many obstacles that were overcome during that very dark period - creative, financial, emotional, and spiritual - and I'm here, standing, stronger than ever.
When I was a kid, a lot of my parents' friends were in the music business. In the late '60s and early '70s - all the way through the '70s, actually - a lot of the bands that were around had kids at a very young age. So they were all working on that concept way early on. And I figured if they can do it, I could do it, too.
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