A Quote by Cillian Murphy

I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film. — © Cillian Murphy
I was obsessed with Batman as a kid. I did the film in part just to be near the Batmobile. But I also think [director] Christopher Nolan made a very fine, intelligent film.
[Director Christopher] Nolan has not only crafted the best Batman movie, but arguably the second-best motion picture superhero narrative (topped only by the linked duo of Superman and Superman II). For those who thought Spider-Man and X-Men had a lot to offer, wait till you see where this film goes. Batman Begins is a strong re-start to a franchise that deserves better than it has often been accorded.
I don't want to be Batman. Let Val Kilmer do it. I just want to be Uncle Batman. I have this whole 'warm relationship' plot in my mind. In the final scenes, the new Batmobile breaks down, the new Batman's stranded on the side of the road. We grab our old Batmobile, pick him up and drive away.
Me and Kirby are very collaborative and it changes from film to film. The first project we worked on together, Derrida, we co-directed. The last film Outrage, I was the producer and he was the director. This film was much more of a collaboration - he is the director and I am the producer - but this is a film by both of us.
You make yourself do the physical aspects for a Christopher Nolan film!
I guess a lot of comic-book adaptations strive for realism. Christopher Nolan is making Batman seem very real and very serious.
Even if the film doesn't come out quite as you'd hoped, the process can also be very rewarding. I feel that way about a film called 'Lay the Favorite' that I made with Stephen Frears. I did that because the character was a real leap for me. The film doesn't quite all add up internally, but I feel very proud of what I did on it.
An actor is only a part of the film, not the whole, and very often, he is moulded by the director. That is why a good director can make so much difference to a film.
I did New York, I Love You which is a very personal film for me. My most personal film, but it's not like a film I've ever made. I would never do that film as a feature, for instance, because it's not very commercial of an idea.
It's a film made in a very radical creative manner. It was possible because we didn't have to pander to capitalism. I think the film is also a humanistic cry for help for animation. It's a film [Boy and the World] with sensitivities completely opposite to what the market wants to sell.
I did sing in another film called 'Empire Records' which is a cult film. 'Grease 2' is also a cult film. You either love it or just think the original was better.
Christopher Nolan's 'Batman Begins' set the bar very high for the superhero movie, as it showed that you could get a great cast for these movies and take a real filmmaker's perspective.
Christopher Nolan's astounding third Batman feature, 'The Dark Knight Rises,' represents the true maturation of the superhero movie - and provides the key to understanding the bottomless craving moviegoers have for these films, 34 years after the Christopher Reeve Superman gave birth to the genre.
A film just doesn't involve actors, a director and a producer, there is also the cameraman, the sound engineer, the music composer, the lyric writer. So many people come together to make a film. When we all feel satisfied with the film that we have created it's a win for all of us.
It was Tim Burton's 'Batman' in, what, '89, I think? What we could see was there was someone behind the curtain controlling all of this, and you could see it from one Tim Burton film to the next, that the guy who made 'Edward Scissorhands' also made 'Batman.' You could connect the dots because his style was so distinct.
I knew it was called 'Dunkirk,' Christopher Nolan was directing it, and it was a war film. That was all anyone knew.
'Interstellar' is a thematic sequel to Christopher Nolan's last original film, 'Inception'. It drops us into a dark future full of otherworldly landscapes and time distortions.
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