A Quote by Cillian Murphy

I always think it's a sign of a truly gifted director when they can move seamlessly between genres. — © Cillian Murphy
I always think it's a sign of a truly gifted director when they can move seamlessly between genres.
I think it's really hard to move between genres, and I think, especially in Britain, we're very judgmental about it - me included. I know that when an actor comes out with some poetry or an album, I think, 'Oh crikey, what's this going to be like?'
In Europe, it is not so unusual for directors to move between opera, theatre, and film, and I have at least three girlfriends I can think of who have directed in all three genres.
You can be playing a line some way and the director wants you to change that, or you can disagree. But I always think that the creative conversation between director and actor is what leads to good work.
I was gifted with a life that was full of adventure. I've always believed, if you're gifted, that it's incumbent not to think about giving something back.
It's sometimes discouraging to see all of a director's movies, because there's so much repetition. The auteurists took this to be a sign of a director's artistry, that you could recognize his movies. But it can also be a sign that he's a hack.
I hope that in another way we can move the need to say, instead of being a Black director, or a woman director, or a French director that I'm just a director.
Honestly, when you start talking about genres, you're talking as much about the business side of writing as anything else. Certainly there are elements of reader expectation that play into various genres, and those are important, but it also becomes about packaging, placement, audience....In the end, I'm not a fan of labels. I think the best fiction blurs the boundaries between genres, stretches and breaks them.
It's a world where you're going to have a phone, a tablet, a computer - you don't have to choose. And so what's more important is how you seamlessly move between them all... It's not like this is a laptop person and that's a tablet person. It doesn't have to be that way.
I’ve always been uninterested in boundaries or quarantines between tastes and types, between mediums and genres.
What a gifted child is, in many ways, is a gifted learner. And what a gifted adult is, is a gifted doer. And those are quite separate domains of achievement.
Your actors need to trust you as a director, but normally, I think you just need to have an open communication between the actors and the director. I think the director needs to really paint his or her vision to the cast and let them know the kind of mood that he or she is making. I think that's very important.
David Cromer, from Chicago, I think is the most gifted young director in America.
I never got tied down to any social scene. I was just into creating stuff. And I think, even today, that's how I'm able to work and move between so many different genres - I want to be part of what's happening, I want to make new things.
I want to do literally everything. I think I was gifted... I inherited one of the best comedy visionaries as a director.
There is always a collaboration between the director and the actors, and you always have to listen as the actors have to listen to you as a director. In the end, you as a director, of course, are the captain on the ship.
I must say that Dhanush wears the hat of director and actor pretty seamlessly.
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