A Quote by Cillian Murphy
With some films you can sort of slide in, get a haircut and you're in.
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The true test of a man's style is the haircut. There are some men who look good no matter how their hair is styled, whether it's trendy or not. A man can change his haircut many times, but to pull off any haircut, you have to be very chic. Like Brad Pitt.
You will be getting a haircut, won't you?" Halt ran his hand through his hair. It was getting a little long, he thought. I'll give it a trim," he said, his hand dropping unconciously to the hilt of his saxe knife. This time, Pauline did look up. You'll get a haircut," she said. Her gaze was steady and unwavering. I'll get a haircut," he agreed meekly.
As an adult, I'm not supposed to go down slides. So if I'm at the top of a slide, I have to pretend that I got there accidentally. "How the hell did I get up here? I guess I have to slide down. Whee!" That's what you say when you're having fun. You refer to yourself and some other people.
I'm a self-loathing slide player. Some people like the way I play slide - I hate it.
Eighteen thousand miles from the moon is some slide, but I'll get up there again some way!
I think that people have some sort of vision that everybody is moving towards perfection, and that there is some sort of set steps or something like that that you can move through to get to that place, and that that's sort of the project of being alive.
Slide slide slippity-slide
When you're living in a city it's do or die
I was originally a painter, and I made films sort of as an extension of that, and then I started to try to make dramatic films because the early films were experimental films.
I do not make films which are prescriptive, and I do not make films that are conclusive. You do not walk out of my films with a clear feeling about what is right and wrong. They're ambivalent. You walk away with work to do. My films are a sort of investigation. They ask questions . . .. Sometimes I hear that some [Hollywood] studio is interested in me. Then they discover that this is the guy who works with no script, that there is no casting discussion, no interference, that I have the final cut, and that does it.
There's some good films, there's some films that could be improved. So we keep trying until we get it right. That's the nature of storytelling, whether it's on paper or on film.
The films that I loved growing up were the science fiction films from the late seventies and early eighties [films], which were more about the people and how they are affected by the environments that they are in. Whether they are sort of futuristic or alien of whatever they are; that was the science fiction that I loved. So that is what we tried to make, the sort of film that felt like those old films.
My 'Slide Some Oil' ain't gon' be Nipsey Russell's 'Slide Some Oil.' Elijah Kelley's 'You Can't Win' ain't gon' be Michael Jackson's 'You Can't Win.'
Some films really do take years to get going, but I'd say that most of the films I want to do are slightly smaller projects. Some could be sketches. They're not all oil paintings.
Some films go so well, and some films are disappointing. It's the beauty of the craft. You get it right, and you get it wrong. You have tremendous highs, and you have tremendous lows. Hopefully, you learn from them and become better, as you go along.
Of course, there's always one theater that shows some kind of European film. Now, fortunately, you have DVDs, so it's possible to get anything you want within a few hours. In those days, it was virtually impossible to get Italian films, or German films, or whatever. So I grew up with very standard, mainstream films.
A $20 haircut hardly ever lasts longer than a $5 haircut.
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