A Quote by Cindy Sherman

[My work is] maybe about me maybe not wanting to be me and wanting to be all these other characters. Or at least try them on. — © Cindy Sherman
[My work is] maybe about me maybe not wanting to be me and wanting to be all these other characters. Or at least try them on.
Maybe I'm sad about wanting you. I'm not too comfortable with wanting someone.
As soon as I started writing, other writers stopped wanting me acting in their shows - maybe they thought I was going to rewrite them.
And I didn't grow up wanting to be a director. I grew up wanting to be a writer, so for me, that was always the goal - to be a novelist, not a screenwriter. And I think, again, if I didn't have the novels, maybe I'd be much more frustrated by not having directed yet.
Other people gotta be told when to go to the gym, what to work out, what to work on, what to do. For me, it was always my own self-motivation of maybe just wanting to make it out of Compton. I was like that with everything in my life.
I'm a country girl, raised in Gloucestershire, England. But my family encouraged me to travel, and I wanted to experience the world. Maybe that's not traditional, but my values have stayed strong. Perhaps that's where wanting to have children comes into it: I'll always be making work; I guess when - and if - I have children, I'll have them with me.
All these questions about do you want to be king? It's not a question of wanting to be, it's something I was born into and it's my duty. . . . Wanting is not the right word. But those stories about me not wanting to be king are all wrong.
A lot of the music comes out of that conflict of wanting this other thing and feeling guilty about wanting it, and then it guiding me somewhere despite my kicking and screaming.
I hope that if the people who read my work encounter people in the real world who are like the characters that I write about, that maybe that might make them feel empathy for those people. I know it sounds idealistic in a way, but I do hope that my work maybe changes some minds, and that my work makes readers see people as human that maybe before they read my work they might not have seen as humans, and those people include me and my family and my kids, people in my community.
A lot of people have said that the main thread in my work is loneliness or just wanting to create a world with someone who doesn't really have much in their life, so maybe I'm looking for someone who's lonely and wants to try to create something with me as a subject for my videos.
I think of myself as unconventional. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
I think of myself as unconventional, I guess. I maybe always had a problem with authority, like a stubbornness about what's expected - despite wanting to get some recognition through performing - but also not always wanting to do the expected thing.
What ignited the rocket that sent you up into the vast regions of comedy, and why? I would say, for me, that philosophical treatise about having black beginnings and wanting love to compensate for that, wanting audiences and wanting attention - I say, "Au contraire." Completely opposite. I want the continuation of my mother's incredible love and attention to me.
I had spent my entire career not wanting to talk about weight, not wanting to deal with it, wanting to be an actor first.
But I guessed she would never stop wanting more for me, more from me. Maybe that's what mothers did.
Only yesterday a young woman came to me wanting a trap set for a man with a sweet smile and lithe arms. She was a fool, not for wanting him, but for wanting more of him than that.
It's all about the music, and I work as hard as I do strictly because of the music. It's not a money thing; it's not a career thing. It's simply to do with me being a music fan with a broad taste, wanting to do different styles and wanting to work with lots of different people.
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