A Quote by Cindy Sherman
Quite often, I will do something and think, 'Oh, no, she looks a little too much like me.' I have tried to learn not to be afraid of that when that happens. I am not trying to obliterate myself and completely hide within the images like I used to.
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In New York City, it's popular. I used to think to myself, 'Man, there's a lot of gay people out here.' And it had me comfortable: it was like, I can be myself! I used to still try to hide it, until it was really overwhelming - there were just too much girls attracted to me!
I think it took me a little while to be true to myself as a designer, and in some ways I'm still trying to do that. I have to choose things that come naturally to me. Whenever I challenge something too much or try too hard, it never quite works out.
I think that's why Meryl Streep is working so much, because she looks like a woman we can all relate to. I look at her and I think, 'I'm chasing my kids, I've moved my parents in with me, I'm coping with food spills - that looks like me in real life'. Meryl looks like an unmade bed, and that's what I look like. To me, that looks true.
In high school, I had to hide my comic book side, my nerd side from the civilian world so they wouldn't categorize me. They would try to marginalize me for what I like. I tried to give it up, believe me. I tried to kick the habit. But there's too much I liked about it to give it up completely.
What do you think?" he asked, his voice deep and commanding. I eyed him. "Impressive, but too much." He leaned toward me, the blue eyes smoky with a promise I was shure he could fulfill. I tried not to think of the bedroom. "Too much?" "Yes. I like the menace. It's very masculine, but he looks like he would screw everything in sight and call me 'wench
She stared up at me, and there was something in her eyes, something that said we finally had an understanding. She was afraid of me, and sometimes that’s the best you can do with people. I’d tried kindness. I’d tried friendship. I’d tried respect. But when all else fails, fear will do the job.
Being away from home gave me the chance to look at myself with a jaundiced eye. I learned not to be ashamed of a real hunger for knowledge, something I had always tried to hide, and I came home glad to start in here again with a love for Europe that I am afraid will never leave me.
Before I created Christine, I was actually really girly. Maybe I was trying to hide something, but I was trying too hard to be a girl, and I didn't know what it meant. I was afraid of being myself.
I know a girl who just looks at her face in the medicine cabinet mirror and never looks below her shoulders, and she's four or five hundred pounds but she doesn't see all that, she just sees a beautiful face and therefore she thinks she's a beauty. And therefore, I think she's a beauty, too, because I usually accept people on the basis of their self-images, because their self-images have more to do with the way they think than their objective-images do.
Well, when you think music-wise, and if you hang with me or you see me or whatever, the average person will be like 'oh yeah, she probably raps'. This is that stereotype and then I do what I do, so they're more like 'oh, I wasn't expecting this whatsoever'. This especially links with the idea of being a woman in this kind of work and within the footwork genre.
The concern about what's too violent or what's too scary is something that I just completely don't let enter into my creative process. I feel like, if I spend a lot of time trying to worry about whether it will appeal to everyone and who will like it and who won't, and I try to please everyone, I'll just spread myself too thin and lose my mind.
The day that I saw Whoopi Goldberg on television, I cried so hard because I kept looking at my daddy going, 'Oh my God. There's somebody on TV that looks like me! She looks like me! Yay! I can be on TV! I can be on TV! I can do it! Look at her - look at her! She looks just like me.'
With all of the divisiveness that is going on in the country we live in, so much of it is based around just fear of the other. And anyone who does not look like me, walk like me, talk like me, have sex like me, they're the other and I'm afraid of them. And hopefully we will learn that it's just not scary. There's nothing to be afraid of.
Each person is made of five different elements, she told me. Too much fire and you had a bad temper. That was like my father, whom my mother always critized for his cigarette habit and who always shouted back that she should feel guilty that he didn't let my mother speak her mind. Too little wood and you bent too quickly to listen to other people's ideas, unable to stand on your own. This was like my Auntie An-mei. Too much water and you flowed in too many different directions. like myself.
I think I'm speaking for a bunch of girls when I say that the idea that feminism is completely natural and shouldn't even be something that people find mildly surprising. ...I find a lot of feminist reading quite confusing and that often there's a set of rules, and people will be like, 'Oh, this person isn't a true feminist because they don't embody this one thing,' and I don't know, often there is a lot of gray area that can be hard to navigate.
Liz, I like you very much," he says. "Oh," she says, "I like you very much, too!" Owen is not sure if she means "O" for Owen, or just plan "Oh." He is not sure what difference it would make in either case. He feels the needs to clarify. "When I said 'I like you very much,' I actually meant 'I love you.'" "O," she says, "I actually meant the same thing." She closes the car door behind her. "Well," he says to himself, driving back to his apartment, "isn't that something?
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