A Quote by Cindy Sherman
As I was looking through a book about German Expressionist films and their stars, it all came together because of the extreme way actors made their faces up in those early day of film in order to pop out in the black-and-white. I just wanted to use makeup in the same way, partly perhaps because as women get older, they're told to wear less makeup.
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I'll have men, or I'll have women say that I'll never be a woman because I don't menstruate, or because I'm not made up like Kim Kardashian. So in that sense, I use makeup for a little bit of confidence. But for the most part, day-to-day, I wear makeup if it feels good.
When you look cakey, or you have too much on, and you actually see the makeup, the makeup isn't doing its job. When you use the makeup in a way where the people aren't thinking about the makeup, and they're looking at you, that's what we want.
My idea of no makeup on actors is really no makeup. I mean, they can be wearing makeup. I don't care what they're wearing as long as it looks like they're not wearing makeup. But an actress will suddenly appear with some lipstick on. And that's makeup. Keener's character wears makeup. Her character would wear makeup. I try to stay true to whoever that person is. I hate that kind of thing where you're waking up in the morning with makeup on in a movie. I just think it pulls you out of the movie.
I've noticed that the less makeup I wear, the less I need it because my skin starts to look better - my face doesn't break out as often and I have fewer skin problems because I'm not clogging your pores every single day with makeup.
Whenever you're going through stuff, it definitely reflects in the way you wear your makeup and hair. Wearing less makeup is more comfortable for me.
Well, as I got older and started using makeup, I wanted to use something lightweight under my makeup that wouldn't clog my pores. So I get up in the morning, brush my teeth, wash my face, and do my whole routine. Sunscreen is the first thing I put on before I put on my makeup.
When I'm working I wear so much makeup, and when I'm out with my friends I wear makeup, so sometimes at school I'm just like, 'Today is not much of a makeup day - foundation, chapstick - done.'
In my day-to-day, I don't wear a lot of makeup, but if I have a lot on from a red carpeted event, I'll use a regular makeup wipe to remove it. Then I use a gentle foaming cleanser, which really gets down into the skin rather than just helping remove the makeup.
I'm very proud of my skin and my face, and I have no problem not wearing makeup. I don't wear makeup because I feel like I need to cover myself up or because I don't feel confident. I wear makeup because it's fun; it's like painting on my face.
I'm not particular about makeup, but when I do wear it, I am partial to Fenty. That is what I own. I own it because it is partial to the various colors and shades of black women. It is one of the best cosmetic companies around as far as trying to remove toxins from makeup, and Rihanna is empathetic to the experiences of trans women.
If you've got a great crew it's intense, but its quite short. 'The Elephant Man' was longer than most, for an independent film. That was a 14 week film. But it was because of the intrinsic difficulties. We had to invent a different way of filming, because the makeup was so long. A working day for me with a full makeup on was nineteen hours. So obviously you couldn't do that twice running.
I wore white kabuki makeup, had blue-black hair. At one point, I shaved an inch and a half around my hairline and continued the white makeup up so it made my head look slightly deformed. I thought it was hilarious.
I prefer wearing no makeup anyway, because I like the contrast when you go out at night and you look different. I actually feel more confident with less makeup than I do with makeup on.
You know, whenever you're shooting a film there's different obstacles and challenges, whether it be from the makeup artist getting fired that you liked or whatever - the one that did the makeup the way you wanted. There's always stuff that changed, like the DP leaving the set, and there's a new guy in there, and the way he does lighting isn't the same as the last guy.
I love playing with makeup. Makeup has become a thing where it's an art form. It's not a thing where you use it because you need to feel beautiful or because you don't like the way you look.
My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on.
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