A Quote by Cindy Sherman
I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
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I'm good at using my face as a canvas… I'll see a photograph of a character and try to copy them on to my face. I think I'm really observant, and thinking how a person is put together, seeing them on the street and noticing subtle things about them that make them who they are.
I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them. I knew I was going to be curious about them and up for the mayhem ahead. But at the same time, I remember noticing I was relieved this thing was present in me. And I hadn't realised there might be a doubt.
I remember noticing, when I had my babies, how much I liked them, and not just loved them, but I was really into them. I knew I was going to be curious about them, and up for the mayhem ahead.
My dogs can't do anything--and what a relief. I don't make any demands of them, and I don't try to shape them or their future. For the most part, I trust them to make the right choices for themselves. I always look forward to seeing them, and I love just watching them sleep. What a great relationship.
Even when you think you can detach yourself from the characters, you don't. Because you're spending so much time trying to realize this person and make them real that they do infect you, in a way. And you do take them home and live with them, even if you think you're turning the character off. But in order to pull off a role convincingly, you wind up thinking about that person all the time, and it does sort of creep into you. And then there are things that you'll respond to, or react to in a very different way than you would normally.
With actors, it's really about feeding them all the time. I don't get involved in their process. I try to do the opposite, feeding them, feeding them, feeding them, and you can see very easily how they react to it.
When geologists announced the beginning of a new geological epoch, the Anthropocene, humans destroying the environment, one of the main things they pointed to is the use of plastics in the earth. We don't think about it, but it has a tremendous effect. But these are things you don't see right in front of your eyes. You need to think about them a little, to see what the consequences are. It's easy to put them aside, and the media don't talk about them.
I didn't want to audition the kids so much; I just wanted to talk to them because I like seeing how they are because their mothers usually mess them up with practice. So, I'd rather talk to them and see how they respond. I just throw things at them and see how they can hit the ball back, and Saniyya Sidney was good.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have.
When you have beaten guys a few times, you don't want them to think they know how you are going to play them. You have to try and find different ways of beating them. You have to do things they don't expect sometimes, put something unpredictable into your game.
If you are going to be successful, you have to start hanging out with the successful people. You need to ask them to share their success strategies with you. Then try them on and see if they fit for you. Experiment with doing what they do, reading what they read, thinking the way they think, and so on. If the new ways of thinking and behaving work, adopt them. If not, drop them, and keep looking and experimenting.
There are things that have to be done and you do them and you don't talk about them. You don't try to justify them. They can't be justified. You just do them. Then you forget them.
When I get the possibility of using a character like Bruce Wayne or Dick Grayson, I try and think about what's most exciting or interesting about them as a person, so I try and think what they are at their core, or what piece of their psychology do I gravitate toward that I respect, and I'm excited by it when I read books about them.
You need to see things, REALLY see them, feel them, live them, so you know what’s big and what’s little, what matters and what to put aside.
To photograph people is to violate them, by seeing them as they never see themselves, by having knowledge of them that they can never have; it turns people into objects that can be symbolically possessed. Just as a camera is a sublimation of the gun, to photograph someone is a subliminal murder - a soft murder, appropriate to a sad, frightened time.
Every time I see a child walking down the street I like to trip them. While they look for their missing teeth, I personally remind them that no matter how hard they try I will always be better than them.
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