A Quote by Ciro Guerra
We translated the script together with them. And during the process of translation, they rewrote the scripts. They put a lot into it. They made it their own. There are names of plants or chants or certain rites and everything that you cannot come across it in a movie. You know, you cannot learn about them casually. So the film doesn't have value in the ethnographical, anthropological. It's fiction.
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The names of the cerros and the sierras and the deserts exist only on maps. We name them that we do not lose our way. Yet it was because the way was lost to us already that we have made those names. The world cannot be lost. We are the ones. And it is because these names and these coordinates are our own naming that they cannot save us. They cannot find for us the way again.
A lot of actors choose parts by the scripts, but I don't trust reading the scripts that much. I try to get some friends together and read a script aloud. Sometimes I read scripts and record them and play them back to see if there's a movie. It's very evocative; it's like a first cut because you hear 'She walked to the door,' and you visualize all these things. 'She opens the door' . . . because you read the stage directions, too.
Poetry cannot be translated; and, therefore, it is the poets that preserve the languages; for we would not be at the trouble to learn a language if we could have all that is written in it just as well in a translation. But as the beauties of poetry cannot be preserved in any language except that in which it was originally written, we learn the language.
To translate, one must have a style of his own, for the translation will have no rhythm or nuance, which come from the process of artistically thinking through and molding the sentences; they cannot be reconstituted by piecemeal imitation. The problem of translation is to retreat to a simpler tenor of one’s own style and creatively adjust this to one’s author.
The one thing you know when you're shooting a script - and I've been on a lot of sets - is space is in a script, and the distance between the page and the stage is so enormous that it is unbelievable how even the brightest people can misread your intent or not see it altogether. Scripts have air in them. Scripts are supposed to leave things up to interpretation, but people can misread things enormously, so sometimes it's just a matter of wanting to put on the screen what you had in mind.
I get an opportunity to communicate with the audience about the movie that I've made. I get the chance to bring attention to the film that I've made. I care a lot about the movies that I make. I want them to reach an audience, and I want them to be successful. I promote nearly everything that I do, unless I've got some bad taste in my mouth.
We cannot move casually into a better future. We cannot casually pursue the goal we have set for ourselves. A goal that is casually pursued is not a goal; at best it is a wish, and wishes are little more than self-delusion.
This definition about against their will, that's a made up term. Did any of those little kids say I didn't want to come here? Did they say I was brought here against my will? Some of them were walking across the border on their own, lots of them, and we'll see them coming across every day at McCallum, Texas. They're still pouring across the border. They know what they're doing. It's not against their will.
The positive thing about collaborating is that I cannot get distracted by coding work, because I cannot waste the other collaborator's time in the same way as I can my own. And it's always good to learn how the other person works, learn about techniques, learn social things like: how do you communicate with another person? The music I make with other people I'm much more confident about, I'm a little bit less judgemental of the outcome than with my own stuff because I know it's not only me, it's a more outside of me. Sometimes I even like them better than my own tracks.
You cannot increase the efficiency of photosynthesis. We improve the performance of farms by irrigating them and fertilizing them to provide all these nutrients. But we cannot keep on doubling the yield every two years. Moore's law doesn't apply to plants.
When I was in New York, a lot of my friends were studying filmmaking and would bring their scripts to me, as I was a good script doctor. I would read their scripts and make corrections to them for $20 per script and was fascinated by films.
It's a sign of respect and connection to learn the name of someone else, a sign of disrespect to ignore it. And yet, the average American can name over a hundred corporate logos and ten plants. Is it a surprise that we have accepted a political system that grants personhood to corporations, and no status at all for wild rice and redwoods? Learning the names of plants and animals is a powerful act of support for them. When we learn their names and their gifts, it opens the door to reciprocity.
Whole plants differ in their effects from refined drugs (:)...Plants are dilute preparations (of) the active principles...Plants usually go into the body through the mouth and stomach, whereas purified chemicals can be put...by snorting or injecting...directly into...bloodstreams without giving...bodies a chance to process them. Other compounds in drug plants...may modify the active principles, making them safer.
Everything you look at now, the scripts that come in that you look at, the television scripts are way better than the movie script. The talent is going to television.
Another person is, at the heart of it, unknowable. And if you cannot know a person enough to always guess what they’re capable of, you certainly cannot know them enough to hold them in your hands, to control their behavior, to fight, manipulate, cajole or nurse or soothe them into doing what they should or shouldn’t. People will do what they will do. The trick is admitting your own helplessness about that little fact.
Any time I hear certain songs I put in a movie, I have to not listen to them anymore because I associate them with that movie. They take on that association rather than the association I had when I first heard them. So it's kinda bittersweet to put a song in a movie, honestly.
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