A Quote by Ciro Immobile

When you are not playing much and you expect to play more, it is normal to think of the market. That's the modern game. — © Ciro Immobile
When you are not playing much and you expect to play more, it is normal to think of the market. That's the modern game.
When you play Futures and Challengers for three, four years, you're playing in obscurity. You play the game for other reasons. You don't play the game for money or attention. You play the game because you like to play. You play the game because you enjoy the journey.
The indoor game is much more of a team game, having to work effectively with a group of 15 to 20 people, striving to improve every day, every drill, even every contact. The beach game is much more of an individual game within a team sport, much less about organized practices with coaches and much more about just playing the game.
I think that the game is the game. I think that expansion is good for the game because it gives more jobs to the people and more ballplayers can play, but I think the game is still the game. The ballplayers, they come into the game with one thing in mind - it's their job.
It can be shown that maximum diversification is achieved by holding each stock in proportion to its value to the entire market (italics added)... Hindsight plays tricks on our minds... often distorts the past and encourages us to play hunches and outguess other investors, who in turn are playing the same game. For most of us, trying to beat the market leads to disastrous results... our actions lead to much lower returns than can be achieved by just staying in the market.
They are playing a game. They are playing at not playing a game. If I show them I see they are, I shall break the rules and they will punish me. I must play their game, of not seeing I see the game.
Hollywood is about playing the game, and I can't think of any successful actresses who didn't play the game. There's a lot more renegades in the music business, from Patti Smith to Janis Joplin.
Imagine if you're playing at home and your girlfriend is badgering you all the time not to play. Wouldn't it be great to have a game you could play with her? Because then you can carry on playing the game and not get beaten up for it.
I've been playing 10 years and I know it's easier starting the game. You have the opportunity to play much more aggressively.
The more normal it gets for people to see people of a gender or skin tone they wouldn't expect in jobs that they wouldn't expect, or speaking a way they wouldn't expect them to, the more it cultivates a sense that we share more than separates us.
You can't expect to be on MTV and critique George Bush. You can't expect to be on BET or the cover of 'The Source' advocating Jesus Christ or Buddha or Hindu Krishna or Moses. As a conscious rap artist, you have to play in the arena that you're supposed to be in. What is that arena? That arena is the college market. The conscious rap artist woos the college market, even though the college market is the wildest, most sexed-out, drug-driven market in the country, possibly the world.
Because of so much fastness in the game, those who play hockey and those who have knowledge about it, they enjoy the game. But the normal public doesn't like it.
Being in a career and going from highlight to highlight and playing a lot of matches you go through it and think it's normal when you play in front of 60,000 and you almost want to vomit in front of every game.
The beach game taught me great lessons about how to elevate the play of my teammate, or teammates, and how to anticipate and expect the ball so much more than the indoor game ever could. It taught me - even forced me - to be a much better all-around player. That allowed me to help our USA Olympic Team in many more ways than I ever could have otherwise.
You know what I think? Very few people play because they love the game. Most of them play because they make good money. They keep playing because of the money. I could care less about it. If I don't love the game, no check is going to keep me playing.
The way I play, it's very much more a mental game than a physical game. I'm looking for space and where are players leaving space. Defensively, where are we at numerical disadvantages? Do I shift more to the left because they have more players on their right side? It's about reading the game before the game happens.
It's like kids playing house: 'You play the father, I'll play the mother.' You know, you dress up, you play, they pay, you go home. It's a game - acting's a game.
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