A Quote by CL
For me, the things that are luxurious are things that are rare. It's not really about how much something costs or whether it's 'limited edition'; it's about how special it is.
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Just coming to terms with the fact that I got to play April Wheeler [Revolutionary Road] and Hanna Schmitz [The Reader] in one year, let alone in my lifetime. I'm very, very aware of how rare that is as an opportunity for any one person. I can't tell you how much I've been able to take away from these experiences creatively. I really, really learned so much about acting, about myself... all of those things. It's difficult to talk about the actor's process without sounding like an arrogant asshole but they really were very challenging.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
When you go to that other country you realize that in France and in England, you don't ask somebody what they do for a living when you meet someone. A lot of the obvious things, the shortcuts we take in America - in America you can talk about money all you want. You can ask how much they make, rent they pay, how much their house costs and how much their car costs, and they'll feel comfortable telling you. But it's scandalous to ask anyone in England or France a question like that.
I think 'Shade Room,' it's a different me. You know, I think it's more on the lyrical side, talking about my life and how I really feel. You know, all these things outside of football. And people really get to look at how I feel about things or how I look at certain things. It's not just a song, more so me just telling people how I feel.
I hadn't realized how much I'd relied on his scowls or his shrugs or his grudging looks of approval to help me figure something out-until they weren't there anymore. Or how I could talk to some people about a lot of things but only to him about everything. And how unbelievably valuable that was.
What other people think of how I play and how I go about things really isn't something I worry about.
Of course, you can never watch something like somebody else watches something like you, but nonetheless, you have to try. So I think on camera you learn a lot about how much the camera does for you, which is what is the great luxury of movie acting. Or acting whether it's TV or movies or whatever it is, that the camera's really such a gift because there's so much that it sees and does if you're willing to just be open and expose yourself and all of that. So you also learn what doesn't matter. And sometimes when you think about things, you think things matter that don't matter.
I just don't care that much about how famous I am. I care a lot about our world, and whether our planet will survive. It seems really low-stakes how many Twitter followers I have, in the grand scheme of things. In 80 years, who will care?
I don't think there's a right or wrong things in your style. It's about how you clearly reflect who you are; how you more clearly tell the story. Who are you? How do you want to transmit that to the world, and how do you more clearly say that? Then I have a philosophy, FFPS: fit, fabric, proportion, and silhouette. Proportion's everything, really, knowing your body and understanding that. Those things have been really crucial for me. It's about being clear about the story you want to tell to the world about who you are - and maybe a little bit of FFPS.
Maybe the truth does not matter, but I want to know it if only so that I can come to some conclusions about such questions as: whether he is angry with me or not; if he is, then how angry; whether he still loves me or not; if he does, then how much; whether he loves me or not; how much; how capable he is of deceiving me in the act and after the act in the telling.
The most valuable lesson I've ever learned in my life is that life is about family and friends, not about material things or any of that. It's about enjoying your life. If you have no family, no friends to enjoy it with, it don't matter how much you have, how much success you have, how much fame you have, how much money you have, it doesn't matter.
I worried so much about how I looked and whether I was doing things right, I felt half the time I was impersonating a girl instead of really being one.
Think about how much it costs to learn more. Sometimes you want to build confidence by knocking off the easy things.
One of the things I will talk about, that no president has talked about before, is I think the dangers of contraception in this country. It's not okay. It's a license to do things in a sexual realm that is counter to how things are supposed to be. [Sex] is supposed to be within marriage. It's supposed to be for purposes that are yes, conjugal... but also procreative. That's the perfect way that a sexual union should happen... This is special and it needs to be seen as special.
You have to think about whether that Mercedes-Benz you have is actually worth how much it costs to you.
I try to think about positive things - how great my form is, how my arms are swinging, my breathing, how loud people are cheering. My sports psychologist taught me there are a million things telling you you can't keep going, but if you find the things that say you can, you're golden.
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