A Quote by CL

What is portrayed on stage and in my music videos is different from my everyday lifestyle. But I want to people to see me as CL on stage and in my music. — © CL
What is portrayed on stage and in my music videos is different from my everyday lifestyle. But I want to people to see me as CL on stage and in my music.
I wanted to go on a project which shows the mixture of Chae rin and CL, not just CL on stage or in a music video.
The less people that are on the stage, there's more drama. You start living the music with each individual. When you see a band with ten people on stage, just a huge ensemble, you don't know who's doing what.
Some people draw a line between music videos and short films, looking down on music videos as a format, but there's so much potential in music videos.
Normally classical music is set up so you have professionals on a stage and a bunch of audience - it's us versus them. You spend your entire time as an audience member looking at the back of the conductor so you're already aware of a certain kind of hierarchy when you are there: there are people who can do it, who are on stage, and you aren't on stage so you can't do it. There's also a conductor who is telling the people who are onstage exactly what to do and when to do it and so you know that person is more important than the people on stage.
I don't do anything specific for the stage. I'm just myself. I can't stand still for five seconds. I'm normally quite active, so that just comes out on stage. If I see people react to me and my music, I just have to give back and express myself.
I see all that celebrity stuff now as whatever, man. What's more important is that everyday people are liking my music, it's got to that stage. I've worked really hard for a long time for it to come to this point, where I'm putting smiles on people's faces, and I'm loving it.
For me, style is something that I've always loved. It's more than just, "Oh I make this type of music, so I should dress this type of way." But it's very important. On the other hand, if I was on stage in a hoodie and some baggy jeans, it wouldn't give off the same feeling. People appreciate the music, but people want to see the whole visual thing.
For me, someone like the Eddie Murphy character doesn't live anywhere; he lives on a stage and when he's not on the stage he's on a bus getting to the next stage. You don't really want to see him at home, or all those things you can do in the movie.
Because I refuse to perform my music in a traditional sense of instrumentation, I don't have an amazing live stage spectacle to provide, and I don't want to go there. I don't see how the music would stay true to the spirit of the work.
Music is pretty much the lifestyle, not the music itself. The lifestyle really pulled me off the street. Made me want to do something organized and positive.
I want to continue to do music and stay on the stage because I love the stage. And I want to continue to write songs.
The whole format of entertainment that I did seems to be fading away. The music business of today is completely different when you see the videos and the music.
They don't want to see rap music. They don't want to see the Beastie Boys. They don't care what we're doing. They want one thing and one thing only: that's to see Madonna come on stage.
I am very pleased to be involved with the Daniel Pearl Music Days committee because its message resonates with me on a very personal level, My own career is an example of the universal power of music, especially the power of Hip Hop, to bring people of different backgrounds together for a common purpose. I hope that my commitment to the Daniel Pearl Music Days committee will encourage all music lovers - both amateurs and professionals - to get involved with the Music Days performance network and contribute to the 'Harmony For Humanity' e-Stage.
Just giving the people a great show, leaving it all on the stage. Like when I'm finished I don't want to go home with nothing, I want to leave it all there on the stage, that's what I'm thinking about before I hit the stage.
I didn't want there to be a computer on stage. When I see people with computers on stage, I think, 'Are you sending e-mail?' That's so corny.
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