A Quote by Claes Oldenburg

I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street. — © Claes Oldenburg
I am for an art that tells you the time of day, or where such and such a street is. I am for an art that helps old ladies across the street.
Street art belongs on the street. But I'm a working street artist and I earn my money selling art in the style of street art via galleries.
When it comes to the street-art world, there are a lot of people who realize if they go out and put up a few pieces of street art and photograph them really well, even if their locations weren't actually that high-profile or dangerous, with the level of exposure they get from the Internet, with a large audience, they can maintain that rebel cache by having it be theoretically documented street art.
I'm interested in confronting police brutality and police abuse of cracking down on street performers and street artists, but also in valorizing street art as legitimate performance within the artistic sphere, where it's so often conflated with pan-handling and begging and not "successful" art. I want to change laws around street performance.
The Internet doesn't always play a great role for art, especially art in the street, as people take what they see for the final image of it. But the most interesting thing about street art is to see it for real, to understand what it means and where it's displayed.
I think when something becomes a comfortable genre, it's against what street art stood for in the beginning - breaking out of genres and taking art out of galleries. Now street art is in the gallery, and it's all made up into a nice, packaged concept.
I have always been a Peter Blake fan and love street art and graffiti. I really like this street-art collective called Faile. They're from Brooklyn and make these prints of beautiful women.
I am always looking for ideas, whether it is in art on the street or in my world travels. It comes to me randomly and unexpectedly.
It is neither Art for Art, nor Art against Art. I am for Art, but for Art that has nothing to do with Art. Art has everything to do with life, but it has nothing to do with Art.
Fame is like getting across the street. It's like, if there's nothing to be across the street for, it's a pointless destination. It's like, "I gotta get across the street, man! I gotta be there! I gotta be there!" Then you get across the street and you're like, "Yeah I'm here!" And then, that's it. Fame doesn't make you particularly happy.
I always like to see if the art across the street is better than mine.
I am for an art of things lost or thrown away. . . I am for an art that one smokes like a cigarette. . . I am for an art that flutters like a flag.
I don't know what it is about me: I am no Rock Hudson, but I absolutely wow all the little old white-haired ladies. They stop me and talk to me all over the country, on the street, in restaurants, in elevators.
I am for the art of underwear and the art of taxicabs. I am for the art of ice cream cones dropped on concrete.
Cars on the opposite side of the street seems strange to me but I am still in a phase where London is new and I am taking it day by day.
Ive been on Wall Street once in my life in 1980 as a tourist. I went to see the stock exchange when I was 18 years old. Im not a Wall Street lawyer, Im a Stanwix Street lawyer. Stanwix Street is a street in downtown Pittsburgh.
You have no right to say that I am not sincere. I have found a happiness in art that real life has never given me. I am intensely in earnest about art. There is is a magic and mystery in art that you know nothing of.
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