A Quote by Claes Oldenburg
When you're working with an object, you can put in almost anything you want, you can make it abstract.
Related Quotes
You can take an object and simply put anything you want in that object, and I accessed that partly through Freudian ideas.
Human beings have the capacity to learn to want almost any conceivable material object. Given, then, the emergence of a modern industrial culture capable of producing almost anything, the time is ripe for opening the storehouse of infinite need!... It is the modern Pandora's box, and its plagues are loose upon the world.
I enjoy painting. It's an incredible release of tension, and I feel very excited doing it. I squeeze out some wonderful red paint, and I get a thrill. My heart starts beating faster. It's almost a sensual thing working with these thick acrylic paints. I almost want to put my hands in.
What I believe is that, by proper effort, we make the future almost anything we want to make it.
Abstract art is only painting. And what's so dramatic about that? There is no abstract art. One must always begin with something. Afterwards one can remove all semblance of reality; there is no longer any danger as the idea of the object has left an indelible imprint.
Compared with men, it is probable that brutes neither attend to abstract characters, nor have associations by similarity. Their thoughts probably pass from one concrete object to its habitual concrete successor far more uniformly than is the case with us. In other words, their associations of ideas are almost exclusively by contiguity. So far, however, as any brute might think by abstract characters instead of by association of con cretes, he would have to be admitted to be a reasoner in the true human sense. How far this may take place is quite uncertain.
The one object of fifty years of abstract art is to present art-as-art and as nothing else, to make it into the one thing it is only, separating and defining it more and more, making it purer and emptier, more absolute and more exclusive - non-objective, non-representational, non-figurative, non-imagist, non-expressionist, non-subjective. the only and one way to say what abstract art or art-as-art is, is to say what it is not.
I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.
When you're playing a spirit from another dimension, you really can do anything and get as abstract as you want and still have a context that will work within the movie. I wanted Ghost Rider to move in a way where it would be like a bad dream. I thought about cobra snakes, and the way that they will show you their backs and sway in a rhythmic motion and almost lull you to sleep before suddenly attacking. Well, I put that into the movie. And I decided to move my head in the jerky way a praying mantis does. So, I did all these things to give the movie a feeling of otherness.
Every photographed object is merely the trace left behind by the disappearance of all the rest. It is an almost perfect crime, an almost total resolution of the world, which merely leave the illusion of a particular object shining forth, the image of which then becomes an impenetrable enigma.
Everybody who reasons carefully about anything is making a contribution ... and if you abstract it away and send it to the Department of Mathematics they put it in books.
I still love coming into work everyday after so many years working as an actress. I've been working more or less continuously and I find I have to really want to do the project to make it work because you have to put such an enormous amount of effort into it.
A woman can put up with almost anything; anything but indifference.
Arsene has most of the media in his pocket now and is almost - almost - affecting the officials so that you can't tackle an Arsenal player. That's something he's very clever at working on and it's almost working in his favour, you can see that.
Every choice you make as an actor ends up being really influential on your life, because you're spending a lot of time working on this project, and you want to make sure you're making good choices and you're not making them for the wrong reasons. I just want to be careful and not jump into anything.
I just see myself as an object in the final image. I know I'm experiencing it when I'm there working on it. I'm there to be worked with, as anything else that I work with.
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