A Quote by Claes Oldenburg
Of course, the '60s was a study in decadence. Everything just got worse and worse, and at the end of the '60s, everything was so horrible that people were killing each other.
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Here we are in the 70's when everything really is horrible and it really stinks. The mass media, everything on television everything everywhere is just rotten. You know it's just really boring and really evil, ugly and worse.
In the '60s, people were still very protective of each field that they belonged to. Avant-garde artists didn't know about rock or pop or jazz. And the jazz people of course didn't want to know about any other music. They were all just kind of protecting their territory.
We came from the '60s era, when we started and made so many hits. The song value from the '60s was so darn good, you've got The Beatles, The Beach Boys, all of Motown, and plenty of other people, too... amazing records, amazing songs.
I... had my mind blown by all the opportunities that were in California in the '60s and '70s. In Detroit, everything was Freud... Out here, everything was Jung.
On our show, I must tell you, it was... the 60s was a period of time when everything was free love. People made love to each other. It was a very open life, you know?
I always make a big effort to make a distinction between what is actually worse or what is just worse about not being 21. Of course, it's much worse not to be 21. This is a given. But there are things that are worse.
You can't believe everything you read in a newspaper or everything that's coming out of the president's mouth. And you can't believe when someone posts a picture from their personal life, because most of the time, it's staged - we're showing each other these idealized versions of ourselves so that we seem better and other people will feel worse.
I lived in France during the '60s. I was there from the early '60s until 1970, so my view of the '60s is more global. It was a time of tremendous transition, not only for America but for the whole world.
For better or worse, we have evolved for sure, but we've also maintained a certain core about who we are, which is we were raised on late '50s and early '60s rock n' roll and R&B, and you can always hear that throughout. And that's just always been who we were. As much as we've evolved, that's stayed the same.
I dare say, ladies and gentlemen, it's even worse in some people, it's worse than the mistake they make in just assuming that there is the world and everything in it, and then there's America. And this one special place just happened. No thought's given to how. No thought's given to replicating it, even. No, that's where it gets even worse. Where it gets even worse is that some of those who look at the United States for what it is, special, no place like it on earth. Want to tear it down for that specific reason just because it's unfair.
There's lots of room to be your own worse critic. It's just you, so I think that's inherit, that voice that's always that's there monitoring everything you do. It's definitely worse; the critic is harder when it's just you. If you're doing a show, then the critic can blame the other actors your with.
Right now, we happen to be in a general period of regression, not just in education. A lot of what's happening is sort of backlash to the 60s; the 60s were a democratizing period.
The end of the '60s was a terrible time. I was in Los Angeles then, and I remember the night someone ran into the studio and told us about the Manson murders. Then suddenly something happened, the '60s disappeared. The '70s were completely different.
I think many of the ideas that opened up in the '60s got implemented in the '70s and that certain minority voices that were not being heard in the '60s, like women and gay people, were being heard in the '70s. Black Civil Rights had also found its foothold, and those ideas were also very pertinent.
A lot of advertising has gotten worse. I think it's kind of lost its nerve, to be honest with you. I feel like the advertising of the '60s, they were nervier. You know why? Because there was less at stake.
In the '60s when I started to see everything I could see, you could see pretty much everything which was still available from the '30s, '40s, '50s, '60s, and therefore I had an education which was really large and vast in different cinema. That's probably the reason I did not fall for the New Wave. It's really the love of the movies that made me want to become a cameraperson, definitely. I was really a film buff.
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