A Quote by Claes Oldenburg

If I didn't think what I was doing had something to do with enlarging the boundaries of art, I wouldn't go on doing it. — © Claes Oldenburg
If I didn't think what I was doing had something to do with enlarging the boundaries of art, I wouldn't go on doing it.
You know when you're doing something right and when you're doing something wrong. As long as you feel like you're doing something right, and you're getting rewarded, then you're successful. But, if you're judging it on, Well, if I had that, I'd be successful - that doesn't work. I think doing what you love is success. Pretty cheesy. But it's true.
I can't imagine a life without thinking, doing art. I don't feel any need to be a world traveler or an adventurer. I'm very happy doing what I'm doing. I think somehow I know that I should have a larger vision of art, but I can't think of what that would be.
The boundaries became constrictive in what I was doing, and if my faith grew, it was because I pressed some of the boundaries in ways I hadn't felt comfortable or responsible doing that before.
I would walk along the quais when I had finished work or when I was trying to think something out. It was easier to think if I was walking and doing something or seeing people doing something that they understood.
I come from the theatre where there are no boundaries to the style you're doing; you're doing Molière, then you're doing Chekhov and then you're doing Arthur Miller in a season and no-one bats an eye.
From being at art college, I've always hated people that have the gall to think that they're being incredibly different when they're doing something in a very acceptable way, something safe that they've seen someone else doing.
I think in the Western world we have gotten overly identified with doing, and we've kind of forgotten about the art of being. And we don't see value in it; we think that if you're not doing something all of the time, being very active and producing something, then you're sort of wasting your time.
When I was in my early twenties I was doing tenant organizing - rent strikes, specifically - in my building. I think that was how I started doing poster art. It was something very concrete.
I think every writer has their waves of inspiration and their ways of doing things. But writing is very difficult for me. It's something I haven't practiced as diligently as my visual art. I've been doing visual art because I think it's easier for me to construct, whereas words are very difficult.
If you think art is a competitive forum, then you're going to stop doing it if you're not good. But if it's not competitive, it's something that you'll keep doing.
I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn't what I was interested in. All of it had an impact - as did happenings - because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn't the direction I really wanted to go.
When I'm doing a drama, I wish I was doing something funny. When I'm doing something funny, I wish I was doing something more serious. I think it's just human nature.
Doing my art came out of something very solitary and something that I had no intention of showing anybody, and yet once people saw pieces in my house, it became really clear that there was a great demand for my art.
Music is one of the noblest callings I can think of. It's the highest of all the art forms to me. For example, if my kid said to me, 'I want to give it all up,' whatever it is that they're doing, 'and I want to take my saxophone and go out,' I would say, 'May God go with you. This is a great and noble thing that you're doing.'
All you do as a performer is keep doing it. If you keep doing it, then it depends on why you're doing it. If you're doing something for superficial, monumental reasons and if you're doing it for female attention, or if you're doing it for money, it's like being upset. Only way you can get upset is when you expecting something. If you don't get this award or don't get that award, that because you expect something.
I'm always constantly doing stuff with Beyonce in mind. Anytime I hear a beat I think she'll love, I'll put something to it and go from there and hopefully it's something that she's in the mood for doing.What exactly were you trying to accomplish with this song?
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