A Quote by Claes Oldenburg
'Clothespin' was the first city monument on a large scale that could compete with the architecture around it.
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Chicago is a city built on architecture, and there are plenty of buildings to scale.
Scale is a mental - you can say that a lounger has scale, a building has scale, or an object has scale, or a page, or whatever if it's just right. A scale is a relationship to the object and the space surrounding it. And that dialogue could be music, or it could be just noise. And that is why it is so important, the sense of scale.
The cost of building large airships can be prohibitive. The entry barrier is considerable and could be a show-stopper for large-scale projects.
There is one way that architecture is superior to sculpture, and that is scale. You can walk into a building and have it all around you.
The most remarkable feature about the magnitude scale was that it worked at all and that it could be extended on a worldwide basis. It was originally envisaged as a rather rough-and-ready procedure by which we could grade earthquakes. We would have been happy if we could have assigned just three categories, large, medium, and small; the point is, we wanted to avoid personal judgments. It actually turned out to be quite a finely tuned scale.
To go back to architecture, what's organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
Only architecture that considers human scale and interaction is successful architecture.
To go back to architecture, whats organic about architecture as a field, unlike product design, is this whole issue of holism and of monumentality is really our realm. Like, we have to design things which are coherent as a single object, but also break down into small rooms and have an identity of both the big scale and the small scale.
The frontiers of science, on the very small scale and very large scale, require large investments and international effort.
I do think the smaller-scale studio works have that incredible love of data crunching, whereas I would say the large-scale earthworks tend to be much more stripped-down. With the mappings, as connected as they are to a much more analytical idea, what's a map? And can I make a map about time? I think the first time was Hurricane Sandy, the flood plane; a moment in time, but indelibly marked on any of us who were in the city. Mapping time is something that I'm really interested in.
The second assault on Fallujah was a monument to brutality and atrocity made in the United States of America. Like the Spanish city of Guernica during the 1930s, and Grozny in the 1990s Fallujah is our monument of excess and overkill.
Does it follow that the house has nothing in common with art and is architecture not to be included in the arts? Only a very small part of architecture belongs to art: the tomb and the monument. Everything else that fulfils a function is to be excluded from the domain of art.
Somalis have made my city of Wilmington, Delaware, [ their home ] on a smaller scale. There is a large, very identifiable Somali community.
The monument I want after I am dead is a monument with two legs going around the world-a saved sinner telling about the salvation of Jesus Christ.
For the most part Ho Chi Minh City is safe but like any large city you need to pay attention to what's going on around you.
I didn't enjoy fighting. All I cared about was trying to beat the scale. Once that got to a point where I couldn't compete with the scale anymore, I was like, 'I'm done.'
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