A Quote by Claire Bloom
I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect.
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I remember seeing some little wrinkles in my early 30s and thinking they were interesting. But you know the horror of it is that the screen image has to be perfect
I remember thinking, when I was in my early 30s, that this is the best age to be, and I still believe your 30s are a wonderful time.
When horror turns into gore, when you show the monster, the killings, and the blood, it loses its suggestive powers. It loses part of what makes a horror film a horror film, which is that the images you see develop in your brain and you become the one imagining what you are not seeing on screen.
'Hamilton' just asks us all to go a little bit deeper: whether you're a hip-hop fan seeing musical theater for the first time, or if you were thinking you were gonna see some reprise of 1776, and now it's this? And you're thinking, 'Wait a minute, these people aren't white!' It asks you just take a step and go a little deeper.
In my 20s, I used to have a lot more energy! I was this skydiving, bungee-jumping adrenaline junkie. I don't know what happened to me! Now that I'm in my early 30s, I've put all that energy into my work, although I'm still a little ridiculous. In your 30s, you're sensible enough to know better, but still stupid enough to do stupid things.
I remember getting into the plane, and I was kind of fearful. I didn't know why. I just felt like something was going to happen, and we landed and I thought that was interesting because I was just thinking we were going to crash. I just remember my feet touching the ground, and that's all I remember.
It is not like adding wrinkles to look older; it is using the wrinkles I already have to say something else. What is disturbing is not seeing more lines on my face but seeing that the range of possibilities of what I can do is much more limited.
The image itself is kind of the least important factor to me, though I'm still interested in putting forth an interesting image. I see the image as the screen laid over top of what really interests me, which is that depth of surface and that filmic quality that it has when you pass the piece. The idea that my pieces look like paintings, but are most definitely not, is really interesting to me.
It still surprises me when I get cast in something. I'm not your, you know, I'm... I remember thinking really early on that you have to look a particular way and I'm quite aware of my look, so I always thought I wouldn't get a lot of screen work.
I knew I liked art. I knew I liked photography. I remember seeing photos of Linda Evangelista in Italian Vogue as a teenager, and at the time I didn't know who she was. There were two photos - one shot by Fabrizio Ferri and another one by Steven Meisel. I didn't know who any of those people were. I think it was the first summer I was modeling, I saw these magazines sitting out and looked at them. I remember thinking, These are the kind of images I want to make.
I think what women are doing to themselves is that they're seeing these different images of perfection - the perfect wife, the perfect mother, the perfect career person, the perfect movie star - and they're somehow thinking that they should be all of these things, and that's the problem.
I think there's definitely much more opportunities for women now to find a role in 30s and 40s both. I think you're starting to find people really seeing that - here's the thing. It's hard for me to say and know the experience how it was ten, twenty years ago because I was only in my teens and my 20s, but I know from watching TV myself and watching film myself I see a lot more 30s and 40s on screen, which just makes me very, very happy. It's what we should be watching.
Even grief recedes with time and grace. But our resolve must not pass. Each of us will remember what happened that day, and to whom it happened. We'll remember the moment the news came -- where we were and what we were doing. Some will remember an image of a fire, or a story of rescue. Some will carry memories of a face and a voice gone forever.
Some people say they use images to help them remember intricacies. Others say they just remember. If they are able to form an image of the face, it is because they remember how it was: it is not that an image guides memory, but that memory produces an image, or the sense of imaging. We have no agreed way to talk clearly about such things.
From an early age I loved horror movies. I read books about horror, cops, firemen and military. Over the course of the years I started to see that there's a reality to this. The first movie I was really conscious of seeing was THE EXORCIST and I don't know if any of you have seen that but it scared the sh*t out of me. It really frightened me.
The reason why we want to remember an image varies: because we simply 'love it,' or dislike it so intensely that it becomes compulsive, or because it has made us realize something about ourselves, or has brought about some slight change in us. Perhaps the reader can recall some image, after the seeing of which he has never been quite the same.
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