A Quote by Claire Danes
I used to talk about my personal life all the time. It's the most fun thing to talk about, the people in my life are hurt.
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I'm not about to talk about what's romantic in my life - I figure if you talk about it once, then that's an open invitation for everyone to dig into your personal life even further. So, I just keep my private life to myself.
I'm not about to talk about what's romantic in my life - I figure if you talk about it once - then that's an open invitation for everyone to dig into your personal life even further.
I'm not about to talk about what's romantic in my life - I figure if you talk about it once - then that's an open invitation for everyone to dig into your personal life even further
The thing about writing or making art is that I'm not thinking about that stuff while I'm doing it. Like the driver's ed kid, in retrospect I see that that was meaningful, and I felt close to him in that way, but at the time I just thought it was fun to draw, and that's all it was. I think that's what's weird about life and about making art. You have to talk about it later. I guess I should be prepared to talk about it now. That is why I'm here. But again, pass.
I don't really talk about my personal life and I don't really talk about my relationships. I'm not a big partier. I like the simplicity of my life, and I've chosen the kind of life I really want to live. I don't think my life is boring at all.
Most of the people around me have a vested interest in how much money I make. You know, so a celebrity could find themselves in a position where people could have meetings about their life without them involved. And when I say "their life" I mean not their professional life either. They could talk about their personal life.
Most of the people around me have a vested interest in how much money I make. You know, so a celebrity could find themselves in a position where people could have meetings about their life without them involved. And when I say 'their life' I mean not their professional life either. They could talk about their personal life.
It's all so personal, isn't it? It's hard to talk about work without talking about things that are personal. Work is personal. I don't want to talk about my personal life, but it's on my mind, and it's in my work.
It's not necessarily a brave thing, people talk about what they think about. There's people out there who love to talk about politics or where they think the countries headed. I don't talk about that I talk about...things that are a little trippier.
Journalists ask me, 'Why don't you ever talk about sex in your performances?' True, I don't talk about sex - not in my personal life and not in my professional life. This is modesty.
I learned through experience that it doesn't work for me to talk about my personal life. I've had earlier times in my career when I did talk about it.
Politically, I don't care what party you're from, offer a point of view and let's see what happens and really debate the issues rather than use personal attacks. Really talk about it, talk about immigration, talk about education, talk about pollution.
I understand why people might be interested. But I just don't talk about my personal life. It's a decision I made a long time ago, before I ever even knew anyone would be interested in my personal life.
For me music is central, so when one's talking about poetry, for the most part Plato's talking primarily about words, where I talk about notes, I talk about tone, I talk about timbre, I talk about rhythms.
I don't hide anything about my life, I talk about everything. I talk about it - all kinds of things. I've done songs about bad experiences, a couple about growing up in the ghetto and being abused, sexually. Being raped. And I talk about it.
There are a lot of ways to talk about the life of a photograph. You can talk about the afterlife of a photograph, and in the end I talk about that, with the Richard Prince picture. But mainly, what I dedicated the book to being about was how photographs begin their life, and where they begin it. And they begin it with the photographer's imagination and instinct and experience.
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