A Quote by Claire Danes

I think the voice over actually enhances the various moments instead of compensating for something that's lacking. Voice over can be tricky. It can be dangerous because its over used or inappropriately used. I think in this case it informs the story.
Voice over can be tricky. It can be dangerous because it's over-used or inappropriately used.
The voice-over world has changed radically in the time that I've been in it. It used to be this rather small, select group of people who did 90 percent of the work. Now it's kind of the reverse: 90 percent of the work is done by this very broad mix of people all over the country, and the guys who used to be the go-to guys are a much smaller percentage now. But there was this massive interest in voice-over as well as in the story, so I think that also added to the film's appeal.
I'm super and very openly obsessed with voice-over. 'In a World...' was my love letter to the industry of voice-over. And in a way, I sometimes think of it as a 93-minute audition to the voice-over industry to say, 'Hey. Consider me!'
I love voice over work. To me, voice over and animation is such an art, because you focus solely on your voice. You do not focus on how to speak, combined with facial expressions, movement, etc. You as the actor need to convey all those things with only your voice.
I always wanted voice over to be part of my career. Even as a child, I'd watch cartoons and know that someone was doing the voices. When I moved to L.A., my hope was that I'd do on-camera work and voice over. I've ended up doing both, but the voice over side took off in a way that I didn't expect!!
I think it's why we're able to look at with comic book stories or origin stories, why is it that we can keep retelling these stories over and over? And hopefully it's because it hits something so universal and so primal inside of us that we actually yearn for that same story over and over. But toned and different form, and updated and modernized, and I can go into the specifics.
I like to think of my best moment on the job as quiet victories. Victories over what? Over the "system", over the various bureaucracies not watching me, over my colleagues' indifference, over my patron's ignorance, over the very concept of horn-blowing pride.
The lyrics are usually the last take. So after like five times, saying it over and over again, your voice starts to relax and you get into the groove of the record. Personally I don't raise my voice; my voice is usually lower, more casual.
People still think that a woman who doesn't have children or doesn't want children is really lacking in something. I've seen this over and over again in my life. I've had this thinking used against me repeatedly. I remember I had a therapist once, and I brought this up, and she said, "Well, I think women who don't have children feel very self-critical. They feel bad, so they think other people are critical in that way."
I do talk less now because the sound of my voice saying over and over the things I said years ago embarrasses and depresses me. Why do I say the same things over and over?
The word mantra comes from two Sanskrit words man, ("to think") and tra ("tool'). So the literal translation is "a tool of thought." And that's how mantras are used in Buddhist and Hindu practices, as tools that clear your mind of distractions. Because when you focus on repeating that mantra over and over again, soon the noise will die down and all you will hear is your inner voice.
On-camera stuff just hit. I decided to do it to supplement my voice-over career, but I ended up falling in love with it, and it actually hit a lot harder than my voice-over career.
I've established a certain voice over my albums. It can be an obstacle, but in the end, I think it's a strength, because I can build upon that voice, which is ultimately very much mine.
The nowadays ruling that no word is unprintable has, I think, done nothing whatever for beautiful letters. The boys have gone hog-wild with liberty, yet the short flat terms used over and over, both in dialogue and narrative, add neither vigor nor clarity; the effect is not of shock but of something far more dangerous — tedium.
I want to focus on each scene. I'm a real perfectionist, and I don't want to feel like I didn't consider every possible variation of a scene. I come from a theater background, so I'm used to a lot of repetition, and I'm used to really attacking something over and over and over again.
I studied voice and piano as a child, although, at least with voice, you start over at puberty, because your voice completely changes.
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